Par amour et pour le geste, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|phone » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] SMEELS, Par Amour et pour le geste [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie le 16 avril 2021 chez Panama Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2021/04/coverSM.jpg » alt= »JVLIVS II de SCH » title_text= »coverSM » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2021/04/Par-amour-et-pour-le-geste.mp3″ title= »Par Amour et pour le geste » artist_name= »Smeels » album_name= »Par Amour et pour le geste » _builder_version= »4.9.4″ _module_preset= »default » caption_font= »Roboto|300||||||| » background_color= »#27657f » custom_margin= »7%||||false|false »][/et_pb_audio][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Par Amour et pour le geste, this is one project of the very promising Smeels. The title speaks for itself, the kind made with heart. A few months after Very Bad Drip, this French rapper unveils a mixtape steeped in love, melancholy and maturity. It’s fresh, it’s smooth. A real musical break among the latest French rap releases. We get lost and then we find ourselves in this sappy epic. Beyond the lover side of the project, the rapper is not afraid to say things as he thinks. Bleu Ciel sets the tone and the color. He does not care about any rap game. He is here for the real thing. Bleu Ciel is also a state of mind %22I believe that the sky is blue since the first day, I believe in God since my first breath, I believe in myself since the first day, I have not given up%22. The objective is to rise, always higher. We don’t worry about it. We already fly from sound to sound. Until we land on a loop on a track. It’s addictive, to consume without moderation. Instrus instill a harmonious and soaring dimension to the tracklist. His range is full of resources. The rapper declines them through his projects, in the show-off with Very Bad Drip, in introspection in Par amour et pour le geste. We are rather curious to discover the color of the next proposal. We’ve been told that the second part of Very Bad Drip is already in progress. For the moment, we take the time to appreciate this musical slap, dressed as a caress. Authentic ? Yep, that one comes from Smeels. » content_phone= » ENGLISH / FRANÇAIS Par Amour et pour le geste, this is one project of the very promising Smeels. The title speaks for itself, the kind made with heart. A few months after Very Bad Drip, this French rapper unveils a mixtape steeped in love, melancholy and maturity. It’s fresh, it’s smooth. A real musical break among the latest French rap releases. We get lost and then we find ourselves in this sappy epic. Beyond the lover side of the project, the rapper is not afraid to say things as he thinks. Bleu Ciel sets the tone and the color. He does not care about any rap game. He is here for the real thing. Bleu Ciel is also a state of mind %22I believe that the sky is blue since the first day, I believe in God since my first breath, I believe in myself since the first day, I have not given up%22. The objective is to rise, always higher. We don’t worry about it. We already fly from sound to sound. Until we land on a loop on a track. It’s addictive, to consume without moderation. Instrus instill a harmonious and soaring dimension to the tracklist. His range is full of resources. The rapper declines them through his projects, in the show-off with Very Bad Drip, in introspection in Par amour et pour le geste. We are rather curious to discover the color of the next proposal. We’ve been told that the second part of Very Bad Drip is already in progress. For the moment, we take the time to appreciate this musical slap, dressed as a caress. Authentic ? Yep, that one comes from Smeels. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH Par Amour et pour le geste, this is one project of the very promising Smeels. The title speaks for itself, the kind made with heart. A few months after Very Bad Drip, this French rapper unveils a mixtape steeped in love, melancholy and maturity. It’s fresh, it’s smooth. A real musical break among the latest French rap releases. We get lost and then we find ourselves in this sappy epic. Beyond the lover side of the project, the rapper is not afraid to say things as he thinks. Bleu Ciel sets the tone and the color. He does not care about any rap game. He is here for the real thing. Bleu Ciel is also a state of mind « I believe that the sky is blue since the first day, I believe in God since my first breath, I believe in myself since the first day, I have not given up ». The objective is to rise, always higher. We don’t worry about it. We already fly from sound to sound. Until we land on a loop on a track. It’s addictive, to consume without moderation. Instrus instill a harmonious and soaring dimension to the tracklist. His range is full of resources. The rapper declines them through his projects, in the show-off with Very Bad Drip, in introspection in Par amour et pour le geste. We are rather curious to discover the color of the next proposal. We’ve been told that the second part of Very Bad Drip is already in progress. For the moment, we take the time to appreciate this musical slap, dressed as a caress. Authentic ? Yep, that one comes from Smeels. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] Par Amour et pour le geste, c’est le projet du très prometteur Smeels. Le titre parle de lui-même, c’est fait avec le cœur. Quelques mois après Very Bad Drip, le
Moondog – Sax Pax For A Sax Remix, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] INITIATIVE H, Moondog – Sax Pax For A Sax Remix [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en septembre 2019 chez Neuklang [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/initiative-H.jpg » alt= »Moondog – Sax Pax For A Pax Remix de Initiative H » title_text= »Moondog – Sax Pax For A Pax Remix de Initiative H » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS We can already hear the howling to the moon of the guardians of tradition, the narrows of syncope. Too bad for them, others were already shouting when Moondog put out his visionary elucubrations on disc. This month, David Haudrechy’s band is back for more with this ‘remix’ that could be called more of a ‘redux’, as Initiative H is redoing things to its own liking with a personal care of scrambling the track. Progressive groove and diversion of expectations. » content_phone= » ENGLISH / FRANÇAIS We can already hear the howling to the moon of the guardians of tradition, the narrows of syncope. Too bad for them, others were already shouting when Moondog put out his visionary elucubrations on disc. This month, David Haudrechy’s band is back for more with this ‘remix’ that could be called more of a ‘redux’, as Initiative H is redoing things to its own liking with a personal care of scrambling the track. Progressive groove and diversion of expectations. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH We can already hear the howling to the moon of the guardians of tradition, the narrows of syncope. Too bad for them, others were already shouting when Moondog put out his visionary elucubrations on disc. This month, David Haudrechy’s band is back for more with this ‘remix’ that could be called more of a ‘redux’, as Initiative H is redoing things to its own liking with a personal care of scrambling the track. Progressive groove and diversion of expectations. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] On entend déjà hurler à la lune les gardiens de la tradition, les étroits de la syncope. Tant pis pour eux, d’autres beuglaient déjà quand Moondog sortait sur disque ses élucubrations visionnaires. Ce mois-ci, la bande à David Haudrechy en remet une couche avec ce ‘remix’ qu’on qualifierait davantage de ‘redux’ tant Initiative H refait les choses à sa sauce avec un soin personnel du brouillage de piste. Groove progressiste et détournement des attentes. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] — Initiative H : site webNeuklang : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/04/INITIATIVE_H_x_Moondog_Sandalwood_Sax_Pax_for_a_Sax_Remix.mp3″ title= »Sandalwood » artist_name= »Initiative H » album_name= »Sax Pax For a Pax Remix » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]
A Wonder Plane Part To…, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] NILOK 4TET, A Wonder Plane Part To… [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en octobre 2019 chez Tobroprod [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/nilok-4tet.jpg » alt= »A Wonder Plane To… de Nilok 4tet » title_text= »A Wonder Plane To… de Nilok 4tet » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]A wonder plane to…(2019) by Nilok4tet & Daniel Zimmermann[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Behind his title-program, the last vinyl has the luxury of adjusting any planisphere to its bars. Colin Jore’s little band defies the jazz canons of the day with ageless obsessions. Gathering Julien Touéry and Daniel Zimmerman, in business class and on long haul, A Wonder Plane… flying high above any cuckoo clock. It’s out of fashion, it’s out of time, it’s out of style. It’s right here, right now. And it’s got a groove that’s welded together by hand to stay in your ears for a long time. Perfect to wait until next summer. » content_phone= » ENGLISH / FRANÇAIS Behind his title-program, the last vinyl has the luxury of adjusting any planisphere to its bars. Colin Jore’s little band defies the jazz canons of the day with ageless obsessions. Gathering Julien Touéry and Daniel Zimmerman, in business class and on long haul, A Wonder Plane… flying high above any cuckoo clock. It’s out of fashion, it’s out of time, it’s out of style. It’s right here, right now. And it’s got a groove that’s welded together by hand to stay in your ears for a long time. Perfect to wait until next summer.. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH Behind his title-program, the last vinyl has the luxury of adjusting any planisphere to its bars. Colin Jore’s little band defies the jazz canons of the day with ageless obsessions. Gathering Julien Touéry and Daniel Zimmerman, in business class and on long haul, A Wonder Plane… flying high above any cuckoo clock. It’s out of fashion, it’s out of time, it’s out of style. It’s right here, right now. And it’s got a groove that’s welded together by hand to stay in your ears for a long time. Perfect to wait until next summer. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Derrière son titre-programme, la dernière galette se paie le luxe d’ajuster tout planisphère à sa mesure. La petite bande à Colin Jore défie les canons du jazz du jour avec des obsessions sans âge. Rameutant Julien Touéry et Daniel Zimmerman, en classe affaire et en long courrier, A Wonder Plane…vol loin haut dessus de tout coucou. C’est hors de mode, c’est hors du temps, c’est hors de style. Ça se joue ici et maintenant. Et c’est pétri d’un groove soudé à la main pour se river à vos oreilles pour longtemps. Parfait pour attendre l’été prochain. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Nilok 4tet : bandcampTobroprod : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Danse ?, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] CLÉMENT JANINET, Danse ? [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en octobre 2019 chez Gigantonium [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/danse.jpg » alt= »Danse ? de Clément Janinet O.U.R.S. » title_text= »Danse ? de Clément Janinet O.U.R.S. » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Clément Janinet – Danse ? by GIGANTONIUM[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS The French grizzly roars for a second time. Always fed with harmonic shifts mixed with adventure and trance full of delicacies, the fourpack of O.U.R.S. goes on the dance floor? The quadrille, the anthem, the vernacular. So beautiful that you could fall, and perfect to get back up. » content_phone= » ENGLISH / FRANÇAIS The French grizzly roars for a second time. Always fed with harmonic shifts mixed with adventure and trance full of delicacies, the fourpack of O.U.R.S. goes on the dance floor? The quadrille, the anthem, the vernacular. So beautiful that you could fall, and perfect to get back up. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH The French grizzly roars for a second time. Always fed with harmonic shifts mixed with adventure and trance full of delicacies, the fourpack of O.U.R.S. goes on the dance floor? The quadrille, the anthem, the vernacular. So beautiful that you could fall, and perfect to get back up. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Le french grizzly rugit une deuxième fois. Toujours nourri aux décalages harmoniques pétris d’aventure et à la transe pleine de délicatesses, le fourpack d’O.U.R.S. monte sur la piste de Danse ?. Du quadrille, de l’hymne, du vernaculaire. Beau à tomber, parfait pour se relever. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —O.U.R.S. : l’interview PointBreakO.U.R.S. : la vidéo PointBreakO.U.R.S. : la revue de concert PointBreakClément Janinet : site webGigantonium : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Skarbø Skulekorps, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] SKARBØ SKULEKORPS [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en septembre 2019 chez Hubro Music [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/skarbo.jpg » alt= »Skarbø Skulekorps de Skarbø Skulekorps » title_text= »Skarbø Skulekorps de Skarbø Skulekorps » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Skarbø Skulekorps by Skarbø Skulekorps[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS The best band that you have too book for your graduation celebrations. Let ’em play around 2 or 3am when the Skøll representative was robbed. The seven Norwegian jazz mercenaries embarked by Øyvind Skarbø in the adventure don’t refuse any obstacle: oblique rumba, fat groove fat impregnated with devious electronics, birthday cake’s backbeat. Listen to this opening track in the shape of an Hey-Hi to be sent to David Byrne. Urgent for those who still think that the Fjord refers, in France, to a recipe made from a mixture of yoghurt and cottage cheese and made from whole milk and cream. » content_phone= » ENGLISH / FRANÇAIS The best band that you have too book for your graduation celebrations. Let ’em play around 2 or 3am when the Skøll representative was robbed. The seven Norwegian jazz mercenaries embarked by Øyvind Skarbø in the adventure don’t refuse any obstacle: oblique rumba, fat groove fat impregnated with devious electronics, birthday cake’s backbeat. Listen to this opening track in the shape of an Hey-Hi to be sent to David Byrne. Urgent for those who still think that the Fjord refers, in France, to a recipe made from a mixture of yoghurt and cottage cheese and made from whole milk and cream. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH The best band that you have too book for your graduation celebrations. Let ’em play around 2 or 3am when the Skøll representative was robbed. The seven Norwegian jazz mercenaries embarked by Øyvind Skarbø in the adventure don’t refuse any obstacle: oblique rumba, fat groove fat impregnated with devious electronics, birthday cake’s backbeat. Listen to this opening track in the shape of an Hey-Hi to be sent to David Byrne. Urgent for those who still think that the Fjord refers, in France, to a recipe made from a mixture of yoghurt and cottage cheese and made from whole milk and cream. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] La meilleure fanfare pour accompagner les fêtes de fin de promo. Plutôt vers 2 ou 3 heures du mat’ quand le représentant de chez Skøll a été dévalisé. Les sept mercenaires jazzo-norvégiens embarqués par Øyvind Skarbø dans l’aventure ne refusent aucun obstacle : rhumba oblique, grosse imprégnée d’électronique retors, backbeat de pièce montée. Jusqu’à cette ouverture d’album en forme de coup de coude qui semble être envoyé à David Byrne. Urgent pour ceux qui pense encore que le mot Fjord désigne une recette élaborée à partir d’un mélange de yaourt et de fromage blanc et faite à base de lait entier et de crème. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Skarbø Skulekorpsø : bandcampHubro Music : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Beautiful Vinyl Hunters, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] ASHLEY HENRY, Beautiful Vinyl Hunters [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en septembre 2019 chez Sony Music [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/ashley-henry-beautiful-vinyl-hunters.jpg » alt= »Beautiful Vinyl Hunters de Ashley Henry » title_text= »Beautiful Vinyl Hunters de Ashley Henry » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Beautiful Vinyl Hunter by Ashley Henry[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Smooth, London? At least as much as a Jelly Bean in a washing machine drum set on 1300 rpm. The last two years have been rich in deliveries from the UK. This one landed at the top of the bunch. Ashley Henry, as a real Englishman in London, brings together in the heart of this album a form of classy, heterogeneous and scrupulously dancing syncretism. It’s colourful, it bounces fast and it can, however, display a runner’s precision in front of a 110 m hurdles. Perfect to finish the year with a sensitive sprint. » content_phone= » ENGLISH / FRANÇAIS Smooth, London? At least as much as a Jelly Bean in a washing machine drum set on 1300 rpm. The last two years have been rich in deliveries from the UK. This one landed at the top of the bunch. Ashley Henry, as a real Englishman in London, brings together in the heart of this album a form of classy, heterogeneous and scrupulously dancing syncretism. It’s colourful, it bounces fast and it can, however, display a runner’s precision in front of a 110 m hurdles. Perfect to finish the year with a sensitive sprint. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH Smooth, London? At least as much as a Jelly Bean in a washing machine drum set on 1300 rpm. The last two years have been rich in deliveries from the UK. This one landed at the top of the bunch. Ashley Henry, as a real Englishman in London, brings together in the heart of this album a form of classy, heterogeneous and scrupulously dancing syncretism. It’s colourful, it bounces fast and it can, however, display a runner’s precision in front of a 110 m hurdles. Perfect to finish the year with a sensitive sprint. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Smooth, London ? Au moins autant qu’un Jelly Bean dans un tambour de machine à laver calée sur essorage 1300 tours/min. Ces deux dernières années ont été riches en livraisons tous azymuts. Celle-ci s’est posée en haut du panier. Ashely Henry, en bon englishman in London, réunit au cœur de cet album une forme de syncrétisme classe, hétérogène et scrupuleusement dansant. C’est coloré, ça rebondit à la va-vite et ça peut, cependant, se targuer d’une précision de runneur en plein 110 m haies. Idéal pour finir l’année au sprint. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Ashley Henry : bandcampSony Music : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
All News Is Good News, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] SURPRISE CHEF, All News Is Good News [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en novembre 2019 chez College Of Knowledge Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/surprise-chef.jpg » alt= »All News Is Good News de Surprise Chef » title_text= »All News Is Good News de Surprise Chef » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]All News Is Good News by Surprise Chef[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Easy. This album is as well framed as the photo on its cover. Off-screen and yet super accurate. First delivery of Surprise Chef (pronounce %22surprise chef%22), the 9 tracks were arranged homemade between blooming soul, afternoon afrobeat and ride soundtrack while skatin’ a southern beachfront. No high winds, no wicks in the eyes, no cut rocks. Again, the truth is elsewhere: smooth, clear but insistent. In the way it focuses on your well-being. Or on your digestion. Perfect with an iced beer. » content_phone= » ENGLISH / FRANÇAIS Easy. This album is as well framed as the photo on its cover. Off-screen and yet super accurate. First delivery of Surprise Chef (pronounce %22surprise chef%22), the 9 tracks were arranged homemade between blooming soul, afternoon afrobeat and ride soundtrack while skatin’ a southern beachfront. No high winds, no wicks in the eyes, no cut rocks. Again, the truth is elsewhere: smooth, clear but insistent. In the way it focuses on your well-being. Or on your digestion. Perfect with an iced beer. » content_last_edited= »on|tablet » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH Easy. This album is as well framed as the photo on its cover. Off-screen and yet super accurate. First delivery of Surprise Chef (pronounce « surprise chef »), the 9 tracks were arranged homemade between blooming soul, afternoon afrobeat and ride soundtrack while skatin’ a southern beachfront. No high winds, no wicks in the eyes, no cut rocks. Again, the truth is elsewhere: smooth, clear but insistent. In the way it focuses on your well-being. Or on your digestion. Perfect with an iced beer. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Facile. Cet album est aussi bien cadré que la photo de sa pochette. Hors-champ et pourtant super précis. Première livraison de Surprise Chef (prononcez ‘surprise chef’), les 9 pistes ont été agencées façon homemade entre soul fleurie, afrobeat d’après-midi et bande son de ride à skate sur un fronton de plage sudiste. Pas de grand vent, pas de mèche dans les yeux, pas de rocher découpé. La vérité est hors-cadre, on le répète, smooth, limpide et, pourtant, insistante. Dans la façon qu’ont ses 4 australiens de se concentrer sur votre bien-être. Ou sur votre digestion. Parfait avec un ratafia servi sur glaçons. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Surprise Chef : bandcampCollege Of Knowledge Records : facebook [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Diatom Ribbons, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] KRIS DAVIS, Diatom Ribbons [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en octobre 2019 chez Pyroclastic Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_text_color= »#FF6600″] Chronique spéciale sons d’hiver 2020 [/et_pb_text][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/KrisDavis.jpg » alt= »Diatom Ribbons de Kris Davis » title_text= »Diatom Ribbons de Kris Davis » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Diatom Ribbons by Kris Davis[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Today’s jazz brags often with immobility. Moving or not moving? Dunno know here, but motile, that’s for sure. Diatom Ribbons, Canadian pianist Kris Davis’ latest album, plays a lot with that idea. Maybe because it’s dedicated to unicellular algae and marine microorganisms. What a bloody beauty that is organic and brutal. As on Corn Crake, melodic and committed, where Terry Lyne Carrington and Val Jeanty come to dynamite the World of silence. With no red cap and much better than the famous Commandant C. » content_phone= » ENGLISH / FRANÇAIS Today’s jazz brags often with immobility. Moving or not moving? Dunno know here, but motile, that’s for sure. Diatom Ribbons, Canadian pianist Kris Davis’ latest album, plays a lot with that idea. Maybe because it’s dedicated to unicellular algae and marine microorganisms. What a bloody beauty that is organic and brutal. As on Corn Crake, melodic and committed, where Terry Lyne Carrington and Val Jeanty come to dynamite the World of silence. With no red cap and much better than the famous Commandant C. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH Today’s jazz brags often with immobility. Moving or not moving? Dunno know here, but motile, that’s for sure. Diatom Ribbons, Canadian pianist Kris Davis’ latest album, plays a lot with that idea. Maybe because it’s dedicated to unicellular algae and marine microorganisms. What a bloody beauty that is organic and brutal. As on Corn Crake, melodic and committed, where Terry Lyne Carrington and Val Jeanty come to dynamite the World of silence. With no red cap and much better than the famous Commandant C. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″ custom_margin= »8%||||false|false » custom_margin_tablet= »0%||||false|false » custom_margin_phone= » » custom_margin_last_edited= »on|phone »] Le jazz actuel est toujours un peu balèze pour faire le malin avec l’immobilité. Ça bouge ou ça bouge pas ? Va savoir, mais ça avance, ça c’est certain. Diatom Ribbons, dernier album de la pianiste canadienne Kris Davis joue beaucoup avec cela. Peut-être parce qu’il est dédié aux algues unicellulaires et micro-organisme maritime. Sa beauté est organique et brutale. Comme sur Corn Crake, mélodique et engagé, où Terry Lyne Carrington et Val Jeanty viennent dynamiter le monde du silence. Sans bonnet rouge et bien plus modeste qu’un certain Commandant. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Kris Davis : bandcampPyroclastic Records : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Hopetown, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] CLAUDIA SOLAL – BENOÎT DELBECQ, Hopetown [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en janvier 2020 chez RogueArt [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_text_color= »#FF6600″] Chronique spéciale sons d’hiver 2020 [/et_pb_text][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/Hopetown.jpg » alt= »Hopetown de Claudia Solal & Benoît Delbecq » title_text= »Hopetown de Claudia Solal & Benoît Delbecq » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS No need to be australian to sit on hot coals these days. The world’s hot, guys show off and girls are steaming. That’s to be expected. Under an apparent calm, the Solal/Delbecq duo is also on the rise. It’s super oblique, it knits arson desolations and it clings to your stomach like a koala on the beach. Hopetown serves it to you on a silver platter, hope. With an angry tenderness. But without pressure. Take that, Denis Papin. » content_phone= » ENGLISH / FRANÇAIS No need to be australian to sit on hot coals these days. The world’s hot, guys show off and girls are steaming. That’s to be expected. Under an apparent calm, the Solal/Delbecq duo is also on the rise. It’s super oblique, it knits arson desolations and it clings to your stomach like a koala on the beach. Hopetown serves it to you on a silver platter, hope. With an angry tenderness. But without pressure. Take that, Denis Papin. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH No need to be australian to sit on hot coals these days. The world’s hot, guys show off and girls are steaming. That’s to be expected. Under an apparent calm, the Solal/Delbecq duo is also on the rise. It’s super oblique, it knits arson desolations and it clings to your stomach like a koala on the beach. Hopetown serves it to you on a silver platter, hope. With an angry tenderness. But without pressure. Take that, Denis Papin. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »8%||4px||false|false » custom_margin_tablet= »0%||||false|false » custom_margin_phone= » » custom_margin_last_edited= »on|phone »] Pas besoin d’être australo pour être assis sur des charbons ardents, ces temps-ci. Le monde a chaud, les mecton font les chauds et les filles prennent vapeur. Normal. Sous un calme apparent, le duo Solal/Delbecq a, lui aussi, des montées et des bouffées. C’est super oblique, ça tricote des désolés pyromanes et ça vous accroche l’estomac comme un koala sur la plage. Hopetown vous le livre rubis sur l’ongle, l’espoir. Avec une tendresse furieuse. Mais sans pression. Prends ça Denis Papin. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Claudia Solal et Benoît Delbecq : la revue de concert PointBreakClaudia Solal : site webBenoît Delbecq : site webRogueArt : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/04/2-Claudia-Solal-Benoit-Delbecq-HOPETOWN-Burning-Green-FRZEX1800060.m4a » title= »Burning Green » artist_name= »Claudia Solal & Benoît Delbecq » album_name= »Hopetown » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]
Newburn, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] REVERSE WINCHESTER, Newburn [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en septembre 2019 chez Freddy Morezon [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_text_color= »#FF6600″] Chronique spéciale sons d’hiver 2020 [/et_pb_text][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/Cover_Recto.jpg » alt= »Newburn de Reverse Winchester » title_text= »Newburn de Reverse Winchester » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Newburn by Reverse Winchester[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS That’s black and white rap, that’s sepia folk. But underneath the monochrome varnish, there’s a lot of explosive stuff, thousands of little nuggets carved by Mike Ladd and Mathieu Sourisseau. In his early days, Nick Cave guaranteed le First Born Is Dead. These two claim that Newburn is very much alive. Good News. » content_phone= » ENGLISH / FRANÇAIS That’s black and white rap, that’s sepia folk. But underneath the monochrome varnish, there’s a lot of explosive stuff, thousands of little nuggets carved by Mike Ladd and Mathieu Sourisseau. In his early days, Nick Cave guaranteed le First Born Is Dead. These two claim that Newburn is very much alive. Good News. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH That’s black and white rap, that’s sepia folk. But underneath the monochrome varnish, there’s a lot of explosive stuff, thousands of little nuggets carved by Mike Ladd and Mathieu Sourisseau. In his early days, Nick Cave guaranteed le First Born Is Dead. These two claim that Newburn is very much alive. Good News. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″ custom_margin= »8%||||false|false » custom_margin_tablet= »0%||||false|false » custom_margin_phone= » » custom_margin_last_edited= »on|phone »] C’est du rap en noir et blanc, c’est du folk version sépia. Mais sous le vernis monochrome, il y a un paquet de trucs explosifs, des milliers de petites pépites livrées par Mike Ladd et Mathieu Sourisseau. Nick Cave proclamait à ses débuts que le First Born Is Dead. Ces deux-là affirment que le Newburn est tout à fait vivant. C’est rassurant. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Reverse Winchester : le live PointBreakReverse Winchester : la revue de concert PointBreakFreddy Morezon : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]