FLY or DIE II: bird dogs of paradise
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] JAIMIE BRANCH, FLY or DIE II: bird dogs of paradise [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en octobre 2019 chez International Anthem Recording Company [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_text_color= »#FF6600″] Chronique spéciale sons d’hiver 2020 [/et_pb_text][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2019/12/a0855723537_10.jpg » alt= »Fly or Die II de Jaimie Branch » title_text= »Fly or Die II de Jaimie Branch » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]FLY or DIE II: bird dogs of paradise by jaimie branch[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS So here we are. That’s the sequel to Fly Or Die I. One more step towards the chiaroscuro, maybe even two or three. These dogs of paradise deliver an urgent and brutal thing, a shout of a damned one in front of his tomb, a flow of supreme commiseration. It smells like fuck, sublime and redemption. It plays as punk as the Beastie Boys played hip hop. Thus, absolutely Free. » content_phone= » ENGLISH / FRANÇAIS So here we are. That’s the sequel to Fly Or Die I. One more step towards the chiaroscuro, maybe even two or three. These dogs of paradise deliver an urgent and brutal thing, a shout of a damned one in front of his tomb, a flow of supreme commiseration. It smells like fuck, sublime and redemption. It plays as punk as the Beastie Boys played hip hop. Thus, absolutely Free.. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH So here we are. That’s the sequel to Fly Or Die I. One more step towards the chiaroscuro, maybe even two or three. These dogs of paradise deliver an urgent and brutal thing, a shout of a damned one in front of his tomb, a flow of supreme commiseration. It smells like fuck, sublime and redemption. It plays as punk as the Beastie Boys played hip hop. Thus, absolutely Free. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″ custom_margin= »8%||||false|false » custom_margin_tablet= »0%||||false|false » custom_margin_phone= » » custom_margin_last_edited= »on|phone »] Très vite on est dans la suite de Fly Or Die, un pas de plus vers le clair Obscur, peut-être même deux ou trois. Ces dogs of paradise livrent un jazz urgent et brutal, des geulantes de damnée devant son tombeau, un flow de commisération suprême. Ça sent le foutre, le sublime et la rédemption. C’est aussi punk que les Beastie Boys étaient hip hop. C’est-à-dire parfaitement Free. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Jaimie Branch Fly or Die : la revue de concert PointBreakJaimie Branch : facebookInternational Anthem : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
We Are On the Edge: A 50th Anniversary Celebration, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] THE ART ENSEMBLE OF CHICAGO,We Are On the Edge [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en avril 2020 chez Pi Recordings [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_text_color= »#FF6600″] Chronique spéciale sons d’hiver 2020 [/et_pb_text][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/Art-Ensemble-of-Chicago-We-Are-On-the-Edge-mp3-image.jpg » alt= »We are on the edge de The Art Ensemble Of Chicago » title_text= »We are on the edge de The Art Ensemble Of Chicago » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]We Are On The Edge: A 50th Anniversary Celebration by Art Ensemble of Chicago[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS It’s not easy to redecorate the legends. Especially when they never let the material of the statues we erected dry out. The Art Ensemble has spent its life drilling. 50 years later, the Ancient and the Future are swaying together in a ballet that has lost none of its verve, its desire to foresee and shake the spine of those who deserve it. We Are On The Edge, claims the title of this album. So there are still a few centimeters of soil left to dance on before the catastrophe. » content_phone= » ENGLISH / FRANÇAIS It’s not easy to redecorate the legends. Especially when they never let the material of the statues we erected dry out. The Art Ensemble has spent its life drilling. 50 years later, the Ancient and the Future are swaying together in a ballet that has lost none of its verve, its desire to foresee and shake the spine of those who deserve it. We Are On The Edge, claims the title of this album. So there are still a few centimeters of soil left to dance on before the catastrophe. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH It’s not easy to redecorate the legends. Especially when they never let the material of the statues we erected dry out. The Art Ensemble has spent its life drilling. 50 years later, the Ancient and the Future are swaying together in a ballet that has lost none of its verve, its desire to foresee and shake the spine of those who deserve it. We Are On The Edge, claims the title of this album. So there are still a few centimeters of soil left to dance on before the catastrophe. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″ custom_margin= »8%||4px||false|false » custom_margin_tablet= »0%||||false|false » custom_margin_phone= » » custom_margin_last_edited= »on|desktop »] Pas simple de redorer les légendes. Surtout quand elles n’ont jamais laissé sécher le matériau des statues qu’on leur aura érigées. L’Art Ensemble a passé sa vie à forer et, 50 ans plus tard, l’Ancien et le Future se donne la poigne dans un ballet qui n’a rien perdu de sa verve, de son envie de voir venir et secouer l’échine à ceux qui le méritent. Au bord du gouffre, clame le titre de cet album. Il reste donc quelques centimètres de terre pour pouvoir danser avant la catastrophe. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —The Art Ensemble Of Chicago : bandcampPi Recordings : site web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Bluestaeb & S. Fidelity Present Underground Canopy, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] UNDERGROUND CANOPY, Bluestaeb & S. Fidelity Present Underground Canopy [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en janvier 2020 chez MENACE [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/underground-canopy.jpg » alt= »Bluestaeb & S. Fidelity Present Underground Canopy de Underground Canopy » title_text= »Bluestaeb & S. Fidelity Present Underground Canopy de Underground Canopy » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Bluestaeb & S. Fidelity Present Underground Canopy by Underground Canopy, Bluestaeb, S. Fidelity[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS It’s got to be. If you’re going to listen and play over J Dilla, Madlib or Flying Lotus gems, you’ve got some chance to get a priceless ear. Here we are. Jazz hip-hop for range, perfectly laid-back for energy, definitely recommendable as bedside musicians. Since 2016, Underground Canopy is forging its sound in Paris. Today it’s with the London grant that it resonates and sells like little azukis in Tokyo. This first EP wasn’t born yesterday. » content_phone= » ENGLISH / FRANÇAIS It’s got to be. If you’re going to listen and play over J Dilla, Madlib or Flying Lotus gems, you’ve got some chance to get a priceless ear. Here we are. Jazz hip-hop for range, perfectly laid-back for energy, definitely recommendable as bedside musicians. Since 2016, Underground Canopy is forging its sound in Paris. Today it’s with the London grant that it resonates and sells like little azukis in Tokyo. This first EP wasn’t born yesterday. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH It’s got to be. If you’re going to listen and play over J Dilla, Madlib or Flying Lotus gems, you’ve got some chance to get a priceless ear. Here we are. Jazz hip-hop for range, perfectly laid-back for energy, definitely recommendable as bedside musicians. Since 2016, Underground Canopy is forging its sound in Paris. Today it’s with the London grant that it resonates and sells like little azukis in Tokyo. This first EP wasn’t born yesterday. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Forcément. À s’ingénier à reprendre J Dilla, Madlib ou encore Flying Lotus, on a la feuille qui se spécialise. Jazz hip-hop pour l’étiquette, parfaitement laid-back pour l’énergie, définitivement recommandable comme musiciens de chevet. Depuis 2016, la canopée souterraine se forge un son à Paris. Aujourd’hui c’est avec la patte londonienne qu’il résonne et vend comme des petits azukis à Tokyo. Ce premier EP n’est pas né de la dernière pluie. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Underground Canopy : facebookMENACE : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Continuation, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] COLLOCUTOR, Continuation [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en février 2020 chez On The Corner Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/collocutor.jpg » alt= »Continuation de Collocutor » title_text= »Continuation de Collocutor » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Continuation by Collocutor[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS It’s as tense as the start of a Monaco Grand Prix, it could be named after some Hollywood swamp monster and it paints ya face with a worried but lasting smile. It’s called Collocutor and this Londoner sextet of today could be the little cousins of the New York Lounge Lizards of the 80s. Focusing on loss, end of love and memory, this 3rd LP also knows how to show its teeth. Be square or beware. » content_phone= » ENGLISH / FRANÇAIS It’s as tense as the start of a Monaco Grand Prix, it could be named after some Hollywood swamp monster and it paints ya face with a worried but lasting smile. It’s called Collocutor and this Londoner sextet of today could be the little cousins of the New York Lounge Lizards of the 80s. Focusing on loss, end of love and memory, this 3rd LP also knows how to show its teeth. Be square or beware. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH It’s as tense as the start of a Monaco Grand Prix, it could be named after some Hollywood swamp monster and it paints ya face with a worried but lasting smile. It’s called Collocutor and this Londoner sextet of today could be the little cousins of the New York Lounge Lizards of the 80s. Focusing on loss, end of love and memory, this 3rd LP also knows how to show its teeth. Be square or beware. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] C’est tendu comme un départ de Grand Prix à Monaco, ça porte un blaze de monstre des marais hollywoodien et ça vous repeint la façade avec un sourire inquiet mais durable. Ça s’appelle Collocutor et ce sextet londonien d’aujourd’hui pourrait bien s’afficher comme les petits cousins zinzins des Lounge Lizards du New York des 80’s. Portés sur la perte, la fin de l’amour et le souvenir, le 3ème LP made in UK sait aussi montrer les dents. Be square or beware. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Collocutor : site webOn the Corner Records : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Astonishments, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] STEVE SWELL QUINTET, Astonishments [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en février 2020 chez RogueArt [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2021/04/Astonishments-de-Steve-Swell-Quintet-et-Leena-Conquest.jpg » alt= »Astonishments de Steve Swell Quintet et Leena Conquest » title_text= »Astonishments de Steve Swell Quintet et Leena Conquest » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS How little may we know yet about yet a possible global pandemic of the current virus, but there are already some serious clues about the journey of Steve Swell’s quintet. Fine News. After a first album focused on soft power (Soul Travelers, 2016), Rogue Art delivers this second shot. Soft, always. Free, no less. And the presence of Leena Conquest doesn’t help the combo’s native indiscipline. This 5tet is headed as full as it is beautiful. Much better than a virus when we talk about contagion. » content_phone= » ENGLISH / FRANÇAIS How little may we know yet about yet a possible global pandemic of the current virus, but there are already some serious clues about the journey of Steve Swell’s quintet. Fine News. After a first album focused on soft power (Soul Travelers, 2016), Rogue Art delivers this second shot. Soft, always. Free, no less. And the presence of Leena Conquest doesn’t help the combo’s native indiscipline. This 5tet is headed as full as it is beautiful. Much better than a virus when we talk about contagion. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH How little may we know yet about yet a possible global pandemic of the current virus, but there are already some serious clues about the journey of Steve Swell’s quintet. Fine News. After a first album focused on soft power (Soul Travelers, 2016), Rogue Art delivers this second shot. Soft, always. Free, no less. And the presence of Leena Conquest doesn’t help the combo’s native indiscipline. This 5tet is headed as full as it is beautiful. Much better than a virus when we talk about contagion. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] On ne sait peut-être que peu, encore, sur une possible pandémie mondiale du virus en cours mais on a déjà quelques indices sérieux sur le retour de voyage du quintet de Steve Swell. Après un premier album porté sur le soft power (Soul Travelers, 2016), Rogue Art livre une deuxième galette du quintet. Soft, toujours. Free, pas moins. Et la présence de Leena Conquest n’arrange rien à l’indiscipline natif du combo. Ce 5tet n’en fait qu’à sa tête qu’il a aussi bien pleine que bien faite. Beaucoup mieux qu’un virus, question contagion. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] — Steve Swell : site webRogueArt : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/05/01.Astonishments.mp3″ title= »Astonishments » artist_name= »Steve Swell » album_name= »Soul Travelers » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]
Eyeballing, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] SARAH MURCIA, Eyeballing [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en janvier 2020 chez dStream [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/sarah-murcia.jpg » alt= »Eyeballing de Sarah Murcia » title_text= »Eyeballing de Sarah Murcia » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Sarah Murcia _ Eyeballing by Sarah Murcia[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS You’ll need more than just a glance to get a glimpse of Eyeballing, Sarah Murcia’s eye-opening and musical tour de force. What will you get ? A walk ’round the globe in 40’50. Paradoxical odes to alcohol, involuntary singing and dirty laundries. Electro-anarcho-soft loops. The lead singer didn’t wait for the 2020 Cesars ceremony to assert a female gaze on a regular masculine way of doing things. Masculine, also her line-up: Delbecq, Py and Thuillier, as one man behind the lady. With verve, agile and stubborn, open to a fertile intimacy and a music that defies registers. With some guys lying down and vodka drunk through their eyes. » content_phone= » ENGLISH / FRANÇAIS You’ll need more than just a glance to get a glimpse of Eyeballing, Sarah Murcia’s eye-opening and musical tour de force. What will you get ? A walk ’round the globe in 40’50. Paradoxical odes to alcohol, involuntary singing and dirty laundries. Electro-anarcho-soft loops. The lead singer didn’t wait for the 2020 Cesars ceremony to assert a female gaze on a regular masculine way of doing things. Masculine, also her line-up: Delbecq, Py and Thuillier, as one man behind the lady. With verve, agile and stubborn, open to a fertile intimacy and a music that defies registers. With some guys lying down and vodka drunk through their eyes. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH You’ll need more than just a glance to get a glimpse of Eyeballing, Sarah Murcia’s eye-opening and musical tour de force. What will you get ? A walk ’round the globe in 40’50. Paradoxical odes to alcohol, involuntary singing and dirty laundries. Electro-anarcho-soft loops. The lead singer didn’t wait for the 2020 Cesars ceremony to assert a female gaze on a regular masculine way of doing things. Masculine, also her line-up: Delbecq, Py and Thuillier, as one man behind the lady. With verve, agile and stubborn, open to a fertile intimacy and a music that defies registers. With some guys lying down and vodka drunk through their eyes. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] Il vous faudra plus qu’un coup d’œil pour faire le tour d’Eyeballing, tour de force oculaire et musical de Sarah Murcia. Tour du globe en 40’50, odes paradoxaux à l’alcool, aux chants involontaires et au linge sale, boucles electro-anarcho-soft. La leadeure n’aura pas attendu les Césars 2020 pour affirmer un female gaze sur un registre carrément masculin. Masculin, aussi son line-up : Benoît Delbecq, Olivier Py et François Thuillier, comme un seul homme derrière la dame. En verve, agile et butée, ouverte à grands battants sur une intimité féconde et une musique qui défie les registres, les mecs allongés et la vodka bue par les yeux. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Sarah Murcia : site webdStream : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
We Are Sent Here By History, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] SHABAKA AND THE ANCESTORS,We Are Sent Here By History [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en mars 2020 chez Impulse! [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/shabaka.jpg » alt= »We Are Sent Here By History de Shabaka And The Ancestors » title_text= »We Are Sent Here By History de Shabaka And The Ancestors » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH Shabaka Hutchings goes up the river of his origins with its Ancestors. On the band’s debut album – linking England to South Africa – we heard this : %22In the Burning Republic of our heart / We need you People.%22 Here the title says that: We Are Sent Here By History. So Hope that everyone will listen at some point to their own and inner part of Black history, for good. Here, we talk about Deep jazz and Spiritual, hypnosis and welcome jazz warnings. A kind of geopolitics as messy as Chris Waddle’s haircut. » content_phone= » ENGLISH / FRANÇAIS Shabaka Hutchings goes up the river of his origins with its Ancestors. On the band’s debut album – linking England to South Africa – we heard this : %22In the Burning Republic of our heart / We need you People.%22 Here the title says that: We Are Sent Here By History. So Hope that everyone will listen at some point to their own and inner part of Black history, for good. Here, we talk about Deep jazz and Spiritual, hypnosis and welcome jazz warnings. A kind of geopolitics as messy as Chris Waddle’s haircut. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH Shabaka Hutchings goes up the river of his origins with its Ancestors. On the band’s debut album – linking England to South Africa – we heard this : « In the Burning Republic of our heart / We need you People. » Here the title says that: We Are Sent Here By History. So Hope that everyone will listen at some point to their own and inner part of Black history, for good. Here, we talk about Deep jazz and Spiritual, hypnosis and welcome jazz warnings. A kind of geopolitics as messy as Chris Waddle’s haircut. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] Shabaka Hutchings remonte un peu plus le fleuve de la parentèle et des origines avec ses Ancestors. On entendait sur le premier album du groupe reliant l’Angleterre à l’Afrique du Sud : « In the Burning Republic of our heart / We need you People. » Ici le titre complète : We Are Sent Here By History. Dont acte, il va falloir que chacun finisse par écouter, en soi et définitivement, sa part d’histoire Noire. Ici, on parle de Deep jazz and de Spiritual, d’hypnoses et d’engueulades jazz bienvenues. Une sorte de géopolitique ébouriffée comme le mulet de Chris Waddle. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] — Shabaka & the Ancestors : site webImpulse! : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/04/Shabaka_And_The_Ancestors_-_The_Coming_Of_The_Strange_Ones_Visualizer.mp3″ title= »The Coming Of The Strange Ones » artist_name= »Shabaka And The Ancestors » album_name= »We Are Sent Here By History » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]
Who Sent You? chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] IRREVERSIBLE ENTANGLEMENTS, Who Sent You ? [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en mars 2020 chez International Anthem Recording Company [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/irreversible-entanglements.jpg » alt= »Who Sent You? de Irreversible Entanglements » title_text= »Who Sent You? de Irreversible Entanglements » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px »][/et_pb_image][et_pb_code _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »7%||||false|false »]Who Sent You? by Irreversible Entanglements[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Still red, black, and shiny. Colours of the struggle, such is the music of Irreversible Entanglement. Same rage, same vigilance against the craps of History as in the first album. Same scansion that argues with what each of the 5 musicians was able to bring back from the Great Black Music’s political history, the first ledges of the Coleman/Cherry pair, freep-hop attempt and the seminal udder of the Art Ensemble that IR sucked. Now Moor Mother is even a part of that beautiful band. Voicings are even more fluid and drumming even more free. It comes to grab you up by the neck and tells you about 350 years of black struggles, white negations and popular music. » content_phone= » ENGLISH / FRANÇAIS Still red, black, and shiny. Colours of the struggle, such is the music of Irreversible Entanglement. Same rage, same vigilance against the craps of History as in the first album. Same scansion that argues with what each of the 5 musicians was able to bring back from the Great Black Music’s political history, the first ledges of the Coleman/Cherry pair, freep-hop attempt and the seminal udder of the Art Ensemble that IR sucked. Now Moor Mother is even a part of that beautiful band. Voicings are even more fluid and drumming even more free. It comes to grab you up by the neck and tells you about 350 years of black struggles, white negations and popular music. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false »] ENGLISH Still red, black, and shiny. Colours of the struggle, such is the music of Irreversible Entanglement. Same rage, same vigilance against the craps of History as in the first album. Same scansion that argues with what each of the 5 musicians was able to bring back from the Great Black Music’s political history, the first ledges of the Coleman/Cherry pair, freep-hop attempt and the seminal udder of the Art Ensemble that IR sucked. Now Moor Mother is even a part of that beautiful band. Voicings are even more fluid and drumming even more free. It comes to grab you up by the neck and tells you about 350 years of black struggles, white negations and popular music. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default » link_font= »Roboto|||||||| » link_text_color= »#ff6600″] What’s new? C’est toujours aussi rouge et noir, luisants. Couleurs de lutte, ferment de la musique d’Irreversible Entanglements. Même rage, même veille lucide face aux hoquets de l’histoire. Ça profère et ça ferraille avec ce que chacun des 5 membres du combo aura su renouveler dans ce deuxième album Who Sent You?. Histoire de la Great Black Music contestataire, saillies de la paire Coleman/Cherry, tentatives freep-hop, et d’évidence la mamelle séminale de l’Art Ensemble dont le quintet a tété le mamelon, Moor Mother en ayant même intégré la dernière version. Le Verbe est toujours à flow et le drumming libre. Ça vient vous chercher par le col et ça vous raconte 350 ans de luttes noires, de négations blanches et de musiques populaires. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Irreversible Entanglements : site webInternational Anthem Recording Company : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Palaces, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] ELECTRIC VOCUHILA, Palaces [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en mars 2020 chez Capsul Collectif [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/ev_palaces_cd-front_lowd.jpg » alt= »Palaces de Electric Vocuhila » title_text= »Palaces de Electric Vocuhila » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS That’s enough to make the Negresco palace look like a fish’n’ships’ shack. The Electric Vocuhila’s Palaces is less about post-colonial architecture and more about the multiple, and therefore elusive, buildings. And it’s beautiful. Fourth album of the quartet, friendly successor of Kombino Splinto, Palaces is less energetic, certainly, but largely as effective in its aims. If not more so. It brings to you the trance to the pelvis (ô the pretty basses of the eponymous track), the sparkling eyes (Coquetty, Tsatsaka). Tsapiky always, Sebene the continuation. Pushing further a kind of quiet rage, burning to split your plexus right away. » content_phone= » ENGLISH / FRANÇAIS That’s enough to make the Negresco palace look like a fish’n’ships’ shack. The Electric Vocuhila’s Palaces is less about post-colonial architecture and more about the multiple, and therefore elusive, buildings. And it’s beautiful. Fourth album of the quartet, friendly successor of Kombino Splinto, Palaces is less energetic, certainly, but largely as effective in its aims. If not more so. It brings to you the trance to the pelvis (ô the pretty basses of the eponymous track), the sparkling eyes (Coquetty, Tsatsaka). Tsapiky always, Sebene the continuation. Pushing further a kind of quiet rage, burning to split your plexus right away. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH That’s enough to make the Negresco palace look like a fish’n’ships’ shack. The Electric Vocuhila’s Palaces is less about post-colonial architecture and more about the multiple, and therefore elusive, buildings. And it’s beautiful. Fourth album of the quartet, friendly successor of Kombino Splinto, Palaces is less energetic, certainly, but largely as effective in its aims. If not more so. It brings to you the trance to the pelvis (ô the pretty basses of the eponymous track), the sparkling eyes (Coquetty, Tsatsaka). Tsapiky always, Sebene the continuation. Pushing further a kind of quiet rage, burning to split your plexus right away. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] Voilà de quoi faire passer le Negresco pour une cabane à fricadelles. Les Palaces version Electric Vocuhila tapent moins dans l’architecture post-coloniale que dans le bâti multiple, donc insaisissable. Et c’est beau. Quatrième galette du quartet, successeur amical de Kombino Splinto, Palaces est moins énervé, certes, mais largement aussi efficace dans ses visées. Si ce n’est plus encore. Ça vous colle la transe au bassin (les jolies basses du track éponyme), des étincelles aux yeux (Coquetty, Tsatsaka). Tsapiky toujours, Sebene la suite. En poussant plus loin une sorte de rage tranquille, ardente à vous fendre le plexus. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] —Electric Vocuhila : facebookCapsul Collectif : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/04/ELECTRIC-VOCUHILA-Palaces-02-Coquetty__48k-24b.mp3″ title= »Coquetty » artist_name= »Electric Vocuhila » album_name= »Palaces » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]
Rejoice, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade »][et_pb_column type= »4_4″ _builder_version= »4.0.6″][et_pb_text content_phone= » FUNKY COUP:Korean Soul, Funk& Rare Groove Nuggets 1973-1980 vol. 1 » content_last_edited= »off|tablet » _builder_version= »4.9.4″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false »] TONY ALLEN & HUGH MASEKELA, Rejoice [/et_pb_text][et_pb_text _builder_version= »4.9.4″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| »] sortie en mars 2020 chez World Circuit Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| »][et_pb_column type= »3_5″ _builder_version= »4.0.4″][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2020/04/tony-allen-and-hugh-masekela-rejoice-lp.jpeg » alt= »Rejoice de Tony Allen & Hugh Masekela » title_text= »Rejoice de Tony Allen & Hugh Masekela » _builder_version= »4.9.4″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Allen/Masekela, neat hybridization. Double musician or two-headed jazzman? 10 years after having recorded in London these sessions, 2 years after the death of the South Afro trumpeteer, a few years after Nick Gold, World Circuit’s boss has rearranged these little ones with Kokoroko and Joe Armon-Jones’ little buddies. Tony Allen still hits as a pendulum will, Hugh Masekela still whistles on the velvet edge of his flugelhorn. The two voices intertwine perfectly. Lucid, alert and covered by an unfailing joy of playing. Perfect for going out for a walk, without permission to fill in. » content_phone= » ENGLISH / FRANÇAIS Allen/Masekela, neat hybridization. Double musician or two-headed jazzman? 10 years after having recorded in London these sessions, 2 years after the death of the South Afro trumpeteer, a few years after Nick Gold, World Circuit’s boss has rearranged these little ones with Kokoroko and Joe Armon-Jones’ little buddies. Tony Allen still hits as a pendulum will, Hugh Masekela still whistles on the velvet edge of his flugelhorn. The two voices intertwine perfectly. Lucid, alert and covered by an unfailing joy of playing. Perfect for going out for a walk, without permission to fill in. » content_last_edited= »on|phone » _builder_version= »4.9.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »10%||||false|false »] ENGLISH Allen/Masekela, neat hybridization. Double musician or two-headed jazzman? 10 years after having recorded in London these sessions, 2 years after the death of the South Afro trumpeteer, a few years after Nick Gold, World Circuit’s boss has rearranged these little ones with Kokoroko and Joe Armon-Jones’ little buddies. Tony Allen still hits as a pendulum will, Hugh Masekela still whistles on the velvet edge of his flugelhorn. The two voices intertwine perfectly. Lucid, alert and covered by an unfailing joy of playing. Perfect for going out for a walk, without permission to fill in. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″][et_pb_text _builder_version= »4.9.4″ _module_preset= »default »] Allen/Masekela, hybridation classe. Musicien double, jazzman bicéphale. 10 ans après avoir enregistré, à Londres, ces sessions, 2 ans après la mort du trompettiste sudaf, quelques après que Nick Gold, boss de World Circuit ait réarrangé ces petites pépites avec les petits potes de Kokoroko et de Joe Armon-Jones. Tony Allen tape toujours dans l’imperturbable pendulaire, Hugh Masekela a le velours au bord du bugle. Les deux voix s’entremêlent parfaitement. Lucides, alertes et couvertes par une joie de jouer indéfectible. Parfait pour sortir faire un tour, sans autorisation à remplir. [/et_pb_text][et_pb_text _builder_version= »4.9.4″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false »] — Tony Allen : site webHugh Masekela : article PAMWorld Circuit Records : site web [/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version= »4.9.4″ _module_preset= »default » width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone »][et_pb_column type= »4_4″ _builder_version= »4.9.4″ _module_preset= »default »][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2020/04/Tony_Allen__Hugh_Masekela_-_Slow_Bones_Official_Audio.mp3″ title= »Slow Bones » artist_name= »Tony Allen & Hugh Masekela » _builder_version= »4.9.4″ _module_preset= »default » background_color= »#27657f »][/et_pb_audio][/et_pb_column][/et_pb_row][/et_pb_section]