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FUNKY COUP:
Korean Soul, Funk
& Rare Groove Nuggets 1973-1980 vol. 1
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BERTRAND DENZLER ET ANTONIN GERBAL, SBATAX
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sortie en octobre 2020 chez Umlaut Records
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ENGLISH / FRANÇAIS
Tenor sax and drums. Free jazz à la française. Second album of the duo Bertrand Denzler/Antonin Gerbal. It’s called SBATAX, a new molecule composed — you can easily try — with bits of ‘batterie’ and saxophone pieces. Not really conceived to fall asleep. Rather of the kind to spin the Dance of Saint-Guy to a wooden horse. It’s violent, magnificent and it never stays in place. Meaning here: the energy, because the music stays in place without flinching, fully mastered and versed in the art of warming your back, your kidneys and what your thighs will keep from your summer sports sessions. The sonic space moves forward with the wire of the breath with an ardor, a power inherited from the great hours of the bass / beat’ duo of the American free. It’s digested with a crazy, regurgitated class, literally with an incandescent, life-saving urgency. The sax hits hard, the drums know how to whistle. Or the other way around, if you like things straight. But the bet is quickly made, if you start playing this SBATAX.
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ENGLISH / FRANÇAIS
Tenor sax and drums. Free jazz à la française. Second album of the duo Bertrand Denzler/Antonin Gerbal. It’s called SBATAX, a new molecule composed — you can easily try — with bits of ‘batterie’ and saxophone pieces. Not really conceived to fall asleep. Rather of the kind to spin the Dance of Saint-Guy to a wooden horse. It’s violent, magnificent and it never stays in place. Meaning here: the energy, because the music stays in place without flinching, fully mastered and versed in the art of warming your back, your kidneys and what your thighs will keep from your summer sports sessions. The sonic space moves forward with the wire of the breath with an ardor, a power inherited from the great hours of the bass / beat’ duo of the American free. It’s digested with a crazy, regurgitated class, literally with an incandescent, life-saving urgency. The sax hits hard, the drums know how to whistle. Or the other way around, if you like things straight. But the bet is quickly made, if you start playing this SBATAX.
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ENGLISH
Tenor sax and drums. Free jazz à la française. Second album of the duo Bertrand Denzler/Antonin Gerbal. It’s called SBATAX, a new molecule composed — you can easily try — with bits of ‘batterie’ and saxophone pieces. Not really conceived to fall asleep. Rather of the kind to spin the Dance of Saint-Guy to a wooden horse. It’s violent, magnificent and it never stays in place. Meaning here: the energy, because the music stays in place without flinching, fully mastered and versed in the art of warming your back, your kidneys and what your thighs will keep from your summer sports sessions. The sonic space moves forward with the wire of the breath with an ardor, a power inherited from the great hours of the bass / beat’ duo of the American free. It’s digested with a crazy, regurgitated class, literally with an incandescent, life-saving urgency. The sax hits hard, the drums know how to whistle. Or the other way around, if you like things straight. But the bet is quickly made, if you start playing this SBATAX.
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Sax ténor et drums. Free jazz à la française. Deuxième album du duo Bertrand Denzler/Antonin Gerbal. Ça s’appelle SBATAX, nouvelle molécule recomposée — on l’imagine facilement — avec des bouts de batterrie et des morceaux de saxophone. Pas vraiment faite pour s’endormir au volant, la molécule. Plutôt du genre à filer la Danse de Saint-Guy à un cheval de bois. C’est violent, magnifique et ça reste jamais en place. Lire ici : l’énergie. Parce que la musique, elle, reste parfaitement en place. Sans broncher, toute entière maîtrisée et versée dans l’art de vous chauffer le dos, les reins et ce que vos cuisses conserveront de vos sessions sportives de l’été. L’espace sonique avance au fil du souffle avec une fougue, une puissance héritée des grandes heures du duo basse/batt’ du free américain. C’est digéré avec une classe folle et régurgité, littéralement avec une urgence incandescente et salvatrice. Le sax tape dur, les fûts savent siffler. Ou l’inverse, si vous aimez la rectitude des choses. Mais le pari est vite fait, si vous vous risquez à lancer la lecture de ce SBATAX.
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—
SBATAX : la revue de concert PointBreak
SBATAX : l’interview PointBreak part.1 et 2
Antonin Gerbal : site web
Bertrand Denzler : site web
Umlaut Records : bandcamp
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