Catégorie : disques

Sons of the Sun, chronique

Sons of the Sun - Sons of the Sun

[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.0.6″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.14.2″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] SONS OF THE SUN, Sons Of The Sun [/et_pb_text][et_pb_text _builder_version= »4.14.2″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 3 décembre 2021 chez BBE Music [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2021/11/cover.jpg » alt= »Sons of the Sun – Sons of the Sun » title_text= »Sons of the Sun – Sons of the Sun » _builder_version= »4.14.2″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_code _builder_version= »4.14.2″ _module_preset= »default » custom_margin= »4em||||false|false » global_colors_info= »{} »]Sons Of The Sun by Sons Of The Sun[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Sun Is Gone Rise. Alright, the sun is coming up but hips too. Fuck, it’s smooth. First album of Sons of The Sun is pretty hot. The plot ? A bridge build between Texas and London. A distance relationship between JTonius and Maverick Quest. No love letters, no. But prods. Songs. And many guests as Matt Cusson, The Brasscats, Madame Cruz or Jelani M.Brooks. A all-you-can-wish lustful soul. Prodigious hip-hop made for bed. Underwater Dreaming sets the mood, Dai Miyazaki’s guitar leads to temptation. Sax increases desire. Rhythm is dangerously sensual. Dangerous, maybe. But desperately pleasant, damn yes. Infinite Love is different states in one track. Let’s start with a delicate stimulation and and back vocals as sweet as honey. Now crescendo. That’s become compelling, flute and sax fuse to reach climax. Ubiquity is that seductive too. Much more hip-hop. Sick as fuck. Powerful and voracious, the electrified guitar barely touch the voluptuous percussion. And so, in a quiet moment of a breath, Sons Of The Sun comes to an end.  » content_phone= » ENGLISH / FRANÇAIS Sun Is Gone Rise. Alright, the sun is coming up but hips too. Fuck, it’s smooth. First album of Sons of The Sun is pretty hot. The plot ? A bridge build between Texas and London. A distance relationship between JTonius and Maverick Quest. No love letters, no. But prods. Songs. And many guests as Matt Cusson, The Brasscats, Madame Cruz or Jelani M.Brooks. A all-you-can-wish lustful soul. Prodigious hip-hop made for bed. Underwater Dreaming sets the mood, Dai Miyazaki’s guitar leads to temptation. Sax increases desire. Rhythm is dangerously sensual. Dangerous, maybe. But desperately pleasant, damn yes. Infinite Love is different states in one track. Let’s start with a delicate stimulation and and back vocals as sweet as honey. Now crescendo. That’s become compelling, flute and sax fuse to reach climax. Ubiquity is that seductive too. Much more hip-hop. Sick as fuck. Powerful and voracious, the electrified guitar barely touch the voluptuous percussion. And so, in a quiet moment of a breath, Sons Of The Sun comes to an end.  » content_last_edited= »on|phone » _builder_version= »4.14.2″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] ENGLISH Sun Is Gone Rise. Alright, the sun is coming up but hips too. Fuck, it’s smooth. First album of Sons of The Sun is pretty hot. The plot ? A bridge build between Texas and London. A distance relationship between JTonius and Maverick Quest. No love letters, no. But prods. Songs. And many guests as Matt Cusson, The Brasscats, Madame Cruz or Jelani M.Brooks. A all-you-can-wish lustful soul. Prodigious hip-hop made for bed. Underwater Dreaming sets the mood, Dai Miyazaki’s guitar leads to temptation. Sax increases desire. Rhythm is dangerously sensual. Dangerous, maybe. But desperately pleasant, damn yes. Infinite Love is different states in one track. Let’s start with a delicate stimulation and and back vocals as sweet as honey. Now crescendo. That’s become compelling, flute and sax fuse to reach climax. Ubiquity is that seductive too. Much more hip-hop. Sick as fuck. Powerful and voracious, the electrified guitar barely touch the voluptuous percussion. And so, in a quiet moment of a breath, Sons Of The Sun comes to an end. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_text _builder_version= »4.14.2″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] Sun Is Gone Rise. Okay, le soleil va se lever mais pas que. Les hanches aussi. Fuck, c’est smooth. Le first album de Sons Of The Sun est délicieusement brûlant. Le concept ? Un pont entre le Texas et Londres. Une relation à distance entre JTronius et Maverick Quest. Pas de lettres d’amour, non. Plutôt des prods. Des instrus. Pas mal de guest genre Matt Cusson, The Brasscats, Madame Cruz ou Jelani M. Brooks. De la soul lascive à souhait. Du hip-hop prodigieusement langoureux. Underwater Dreaming pose le mood, la guitare de Dai Miyazaki pousse à la tentation. Le sax presse le désir. Le rythme est dangereusement sensuel. Dangereux, maybe. Terriblement plaisant, damn yes.  Infinite Love, c’est différentes step dans un même son. Un début délicatement stimulant avec des backings vocals mielleuses et sweet. Crescendo ça devient irrésistible, la flûte et le sax fusionnent pour atteindre le climax. Ubiquity est tout aussi séduisant. Beaucoup plus hip-hop. Sick as fuck. Puissante et insatiable, la guitare électrifiée caresse les percussions voluptueuses.  Et comme ça, dans le creux d’un souffle, Sons Of The Sun prend fin. [/et_pb_text][et_pb_text _builder_version= »4.14.2″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false » global_colors_info= »{} »] —Sons of The Sun :  BandcampBBE Music : site internet [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

But Only After You Have Suffered, chronique

Jamire Williams / But Only After You Have Suffered

[et_pb_section fb_built= »1″ _builder_version= »4.9.4″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.0.6″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.14.2″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] JAMIRE WILLIAMS, But Only After You Have Suffered [/et_pb_text][et_pb_text _builder_version= »4.14.2″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 3 décembre 2021 chez International Anthem [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2021/11/a1572508792_10-Copie.jpg » alt= »Jamire Williams / But Only After You Have Suffered » title_text= »Jamire Williams / But Only After You Have Suffered » _builder_version= »4.14.2″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_code _builder_version= »4.14.2″ _module_preset= »default » custom_margin= »4em||||false|false » global_colors_info= »{} »]But Only After You Have Suffered by Jamire Williams[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Sometimes albums are works of art. Some are even entire museums. But Only After You Have Suffered by Jamire Williams is the proof. The producer’s musical legacy is brought together in one place. To walk between its 12 titles, it’s to be toe to toe with a masterpiece each time. All clearly defined. All magnificently moving. Brutal ups and downs. Pieces divided all over the place to create a pure collage.  Soul on the right. Jazz on the left. Hip-hop on the bottom. Avant-pop on top. And Jamire Williams’ majestic drums in the background. Terribly aesthetic. Hands Up is religiously psychedelic. An apocalyptic song that speeds up the immersion. Violently. In one shot. Just Hold On is deeply indie. The bass goes through the skin with agility. Cleanly disordered. Pause In His Presence is sumptuously lyrical. A gloomy opera. Lisa E. Harris and her voice transcend space-time accompanied by Sam Gendel’s oppressive alto. Powerful and frightening. Sometimes, albums remain in minds. Some remain tattooed. Here is the proof with But Only After You Have Suffered.  » content_phone= » ENGLISH / FRANÇAIS Sometimes albums are works of art. Some are even entire museums. But Only After You Have Suffered by Jamire Williams is the proof. The producer’s musical legacy is brought together in one place. To walk between its 12 titles, it’s to be toe to toe with a masterpiece each time. All clearly defined. All magnificently moving. Brutal ups and downs. Pieces divided all over the place to create a pure collage.  Soul on the right. Jazz on the left. Hip-hop on the bottom. Avant-pop on top. And Jamire Williams’ majestic drums in the background. Terribly aesthetic. Hands Up is religiously psychedelic. An apocalyptic song that speeds up the immersion. Violently. In one shot. Just Hold On is deeply indie. The bass goes through the skin with agility. Cleanly disordered. Pause In His Presence is sumptuously lyrical. A gloomy opera. Lisa E. Harris and her voice transcend space-time accompanied by Sam Gendel’s oppressive alto. Powerful and frightening. Sometimes, albums remain in minds. Some remain tattooed. Here is the proof with But Only After You Have Suffered.  » content_last_edited= »on|phone » _builder_version= »4.14.2″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] ENGLISH Sometimes albums are works of art. Some are even entire museums. But Only After You Have Suffered by Jamire Williams is the proof. The producer’s musical legacy is brought together in one place. To walk between its 12 titles, it’s to be toe to toe with a masterpiece each time. All clearly defined. All magnificently moving. Brutal ups and downs. Pieces divided all over the place to create a pure collage.  Soul on the right. Jazz on the left. Hip-hop on the bottom. Avant-pop on top. And Jamire Williams’ majestic drums in the background. Terribly aesthetic. Hands Up is religiously psychedelic. An apocalyptic song that speeds up the immersion. Violently. In one shot. Just Hold On is deeply indie. The bass goes through the skin with agility. Cleanly disordered. Pause In His Presence is sumptuously lyrical. A gloomy opera. Lisa E. Harris and her voice transcend space-time accompanied by Sam Gendel’s oppressive alto. Powerful and frightening. Sometimes, albums remain in minds. Some remain tattooed. Here is the proof with But Only After You Have Suffered. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_text _builder_version= »4.14.2″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] Parfois, des albums sont des œuvres d’art. Certains sont carrément des musées tout entier. But Only After You Have Suffered de Jamire Williams en est la preuve. L’héritage musical du producteur est rassemblé en un seul point. Se balader entre ses 12 titres, c’est être nez à nez avec une masterpiece à chaque fois. Toutes distinctes. Toutes magnifiquement émouvantes. Des up and down brutaux. Des morceaux éparpillés dans tous les sens pour créer un collage à l’état pur.  De la soul à droite. Du jazz à gauche. Du hip-hop en bas. De l’avant-pop en haut. Et la majestueuse batterie de Jamire Williams en toile de fond. Terriblement esthétique. Hands Up est religieusement psyché. Un son apocalyptique qui précipite l’immersion. Violemment. D’un coup sec. Just Hold On est profondément indie. La basse traverse agilement l’épiderme. Proprement désordonnée. Pause In His Presence est somptueusement lyrique. Un opéra sinistre. Lisa E. Harris et sa voix transcendent l’espace-temps accompagnées de l’alto oppressant de Sam Gendel. Puissant et angoissant. Parfois, des albums restent gravés. Certains restent carrément tatoués. But Only After You Have Suffered en est la preuve. [/et_pb_text][et_pb_text _builder_version= »4.14.2″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false » global_colors_info= »{} »] —Jamire Williams : site internetInternational Anthem : site internet [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]