Labrador Bleu, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.16″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.17.1″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] ISHA, Labrador Bleu [/et_pb_text][et_pb_text _builder_version= »4.17.1″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] sortie le 15 avril 2022 sur Parlophone [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.16″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.16″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.16″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/04/isha1.jpg » alt= »Labrador Bleu de ISHA » title_text= »Labrador Bleu de ISHA » _builder_version= »4.17.1″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » hover_enabled= »0″ border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} » sticky_enabled= »0″][/et_pb_image][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2022/04/FIFA.mp3″ title= »FIFA » artist_name= »ISHA » album_name= »Labrador Bleu (2022) » _builder_version= »4.17.1″ _module_preset= »default » hover_enabled= »0″ global_colors_info= »{} » title_text= »FIFA » sticky_enabled= »0″][/et_pb_audio][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_phone= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_last_edited= »on|desktop » _builder_version= »4.17.1″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] ENGLISH ‘Labrador bleu’ is not a breed of dog. But this is the colour of a tombstone. The colour of Isha’s bro grave. Isha’s first album stems from this very fact. Since 2008 he has been adding milestones to his pedigree. The Belgian rapper has released a series of EPs and featurings, but ‘Labrador bleu’ is the consecration. A consecration in the form of introspection. These 15 tracks evoke the doubts of existence and question death. The 4 elements, water, earth, air and fire, are displayed throughout the titles as a metaphor for the journey in life. ‘Intro’ refers to birth, to the choice of a first name, to the beginning of life and then, without doubt, of existence. ‘Outro’ sees a guy choosing between several colours of tombstone. This is almost the end of the record. On the last, eponymous track, the ‘Outro’ guy now imagines what his funeral will be like. Dark, ‘Labrador bleu’? Not completely, I swear. It’s also about family, the street, a bit of a chick and the rap business. The prods are unpretentious, simple but fit the voice and flow of the master dog. Nothing is too much. Not too much bling-bling, nor egotrip. It makes a mark. It’s square. Isha stays in his place, invites his mates Caballero and JeanJass, Limsa and OG GOLD for a little bunch of quality collabs. In the heart of the Belgian rap dogpack, you’ve here one of the pillars, leaving the dogs on the pavement. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.17.1″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] Labrador bleu, c’est pas une race de clebs. Mais c’est la couleur d’une pierre tombale. Celle du reuf d’Isha. Son premier album, à Isha, découle justement de ça. Depuis 2008 il enrichit son pédigrée. Le rappeur belge enchaine les EPs, les featurings, mais Labrador bleu, c’est la consécration. Une consécration en forme d’introspection. Ces 15 tracks convoquent les doutes de l’existence et questionnent la mort. Les 4 éléments, l’eau, la terre, l’air, le feu s’affichent au fil des titres comme une métaphore du parcours de vie. Intro renvoie à la naissance, au choix du prénom, au début de la vie puis sans doute de l’existence. Outro voit un type choisir entre plusieurs couleur de pierres. C’est presque la fin du disque. Sur le dernier track, éponyme, le type de l’Outro imagine désormais comment se déroulera son enterrement. Dark, Labrador bleu ? Pas complètement,
Horizon Fondu, chronique
The Line Is A Curve, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.16″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.17.0″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] KAE TEMPEST, The Line Is A Curve [/et_pb_text][et_pb_text _builder_version= »4.17.0″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 08 avril 2022 sur Universal [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.16″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.16″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.16″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/04/kt.jpg » alt= »The Line Is A Curve » title_text= »The Line Is A Curve » _builder_version= »4.17.0″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_audio audio= »https://pointbreak.fr/wp-content/uploads/2022/04/kae-tempest-these-are-the-days-official-audio.mp3″ title= »These Are The Days » artist_name= »Kae Tempest » album_name= »The Line Is A Curve (2022) » _builder_version= »4.17.0″ _module_preset= »default » global_colors_info= »{} »][/et_pb_audio][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_phone= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_last_edited= »on|desktop » _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »] ENGLISH The Line Is A Curve. The horizon is already clear for Kae Tempest. Calmer. More hypnotic. Nothing To Prove. Tempest is first and foremost a path with a thousand crossroads. Between spoken word, rap, collab and authentic poetry they transforms the ordinary of everyday life into a lyrical portrait. In the circle? Gian Chatten, Lianne La Havas, Confucius MC, Assia and Kevin Abstract who bring Kae’s lyrics to life. These Are The Days. Days when Les Fleurs du Mal and Albatross transport to the Elevation. Spleen and Ideal. Tempest goes beyond the limits and braves the frontiers of intimacy to the point of letting go. A liberation allowed in a junction of varieties. The intersection of the soul of No Prizes, the post-jazz of These Are The Days to the robotic techno terminus on More Pressure. The synthetic, dark production segment of Priority Boredom, radiating out into the more expansive, salvific musicality of Grace. A modern day waking wisdom accentuated by the power of words. Exponential. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ global_colors_info= »{} »] The Line Is A Curve. L’horizon est déjà bien tracé pour Kae Tempest. Plus calme. Plus hypnotique. Nothing To Prove. Tempest, c’est avant tout une trajectoire aux mille chemins de traverse. Entre spoken word, rap, collab et poésie authentique iel transforme l’ordinaire du quotidien en portrait lyrique. Dans le cercle ? Gian Chatten, Lianne La Havas, Confucius MC, Assia et Kevin Abstract qui viennent sublimer les paroles de Kae au grand jour. These Are The Days. Des jours où Les Fleurs du mal et l’Albatros transportent jusqu’à l’Elévation. Spleen et Idéal. Tempest dépasse les bornes et brave les frontières de l’intime jusqu’au lâcher prise. Une libération permise dans une jonction de variétés. L’intersection de la soul de No Prizes, au post-jazz de These Are The Days jusqu’au terminus de techno robotique sur More Pressure. Le segment d’une production synthétique et sombre de Priority Boredom, rayonnant vers une musicalité plus expansive et salvatrice de Grace. Une sagesse éveillée des temps modernes accentuée par la puissance des mots. Exponentielle. [/et_pb_text][et_pb_text _builder_version= »4.17.0″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false » global_colors_info= »{} »] —Kae Tempest : Site WebUniversal : Site Web [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Daumenkino Trio, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.16″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.17.0″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] DAUMENKINO TRIO, EP [/et_pb_text][et_pb_text _builder_version= »4.17.0″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 23 avril 2022 pour le Record Store Day sur Capsul Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.16″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.16″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.16″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/04/Daumenkino-1.jpg » alt= »Daumenkino Trio » title_text= »Daumenkino Trio » _builder_version= »4.17.0″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_code _builder_version= »4.17.0″ _module_preset= »default » custom_margin= »4em||||false|false » global_colors_info= »{} »]Daumenkino Trio by Capsul Records[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_phone= » ENGLISH / FRANÇAIS Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. » content_last_edited= »on|phone » _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »] ENGLISH Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ global_colors_info= »{} »] Magique la lanterne du Daumenkino trio. C’est même la trad allemande de ‘daumenkino’. Ces petites attractions lumineuses pour la foire ou le salon, où le clair et l’obscur agitent des bonheurs d’imagination. Naïfs, ludiques et sans fin. Du jazz pour gosses, le Daumenkino ? Oui, carrément. Mais pour ces gamins qu’on qualifient de sales gosses parce qu’ils échappent aux mastercodes et ont toujours un coup d’avance. Et de l’avance ce trio en a pas mal. Pas sur la musique, ni sur l’époque, certes. Rien de révolutionnaire sur cet EP. Qui le serait vraiment aujourd’hui ? Non, l’avance des 4 plages de ce disque est celle créée dans le hardcore de la musique par le trio Bobo/Goichon/Ziemniak. Liberté intégrale pour le trio, chacun avance et le commun fleurit. Bref, recette classique appliquée avec un vent nouveau. L’économie de moyens est encore resserrée sur le nerf musical. L’espace sonore de l’ex-Vocuhila Trio a gagné en clarté, les effets du sax creuse encore plus son propre phrasé et l’interplay avec ses compagnons. WHK est source d’apaisement, de mystère
If You Will, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.16″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.17.0″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] FLORA PURIM,If You Will [/et_pb_text][et_pb_text _builder_version= »4.17.0″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 19 avril 2022 sur Strut Records [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.16″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.16″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.16″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/04/a1122736647_16.jpg » alt= »If you will de Flora Purim » title_text= »If you will de Flora Purim » _builder_version= »4.17.0″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_code _builder_version= »4.17.0″ _module_preset= »default » custom_margin= »4em||||false|false » global_colors_info= »{} »]If You Will by Flora Purim[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Flora Purim burst onto the scene in 1972. At 1’55 of ‘Return To Forever’, the song that would become a mythical band of the fusion-class years. Until today and this ‘If You Will’, Flora Purim has not left the vinyl surfaces. She has accompanied Chick Corea, Dizzy or Gil Evans, but above all she has been accompanied by Ron Carter, Hermeto Pascoal and, of course, George Duke. Everything is contained, from the outset, in the records she made for the Milestones label. And Flora Purim has left a few milestones on the jazz scene. To name just one, let’s take ‘Open Your Eyes You Can Fly’. The two Americas are cozying up to each other, and the pleasure flows in delicious little gulps. Under Airto Moreira’s skilful rubbing, between Egbert Gismonti’s strings. It’s enough to make you long for the release of ‘If You Will’, a successor not lacking in sensuality, taking stock of the fragility of music and the strength of friendships. Airto Moreira, in fact, always, always. Here at work, perfectly in line with a record that sums up the career of a singer who has not decided to decline. Flora Purim is the giant link between the small, pretty things that can be sung and the great cosmic flights of fancy. Period. » content_phone= » ENGLISH / FRANÇAIS Flora Purim burst onto the scene in 1972. At 1’55 of ‘Return To Forever’, the song that would become a mythical band of the fusion-class years. Until today and this ‘If You Will’, Flora Purim has not left the vinyl surfaces. She has accompanied Chick Corea, Dizzy or Gil Evans, but above all she has been accompanied by Ron Carter, Hermeto Pascoal and, of course, George Duke. Everything is contained, from the outset, in the records she made for the Milestones label. And Flora Purim has left a few milestones on the jazz scene. To name just one, let’s take ‘Open Your Eyes You Can Fly’. The two Americas are cozying up to each other, and the pleasure flows in delicious little gulps. Under Airto Moreira’s skilful rubbing, between Egbert Gismonti’s strings. It’s enough to make you long for the release of ‘If You Will’, a successor not lacking in sensuality, taking stock of the fragility of music and the strength of friendships. Airto Moreira, in fact, always, always. Here at work, perfectly in line with a record that sums up the career of a singer who has not decided to decline. Flora Purim is the giant link between the small, pretty things that can be sung and the great cosmic flights of fancy. Period. » content_last_edited= »on|phone » _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »] ENGLISH Flora Purim burst onto the scene in 1972. At 1’55 of ‘Return To Forever’, the song that would become a mythical band of the fusion-class years. Until today and this ‘If You Will’, Flora Purim has not left the vinyl surfaces. She has accompanied Chick Corea, Dizzy or Gil Evans, but above all she has been accompanied by Ron Carter, Hermeto Pascoal and, of course, George Duke. Everything is contained, from the outset, in the records she made for the Milestones label. And Flora Purim has left a few milestones on the jazz scene. To name just one, let’s take ‘Open Your Eyes You Can Fly’. The two Americas are cozying up to each other, and the pleasure flows in delicious little gulps. Under Airto Moreira’s skilful rubbing, between Egbert Gismonti’s strings. It’s enough to make you long for the release of ‘If You Will’, a successor not lacking in sensuality, taking stock of the fragility of music and the strength of friendships. Airto Moreira, in fact, always, always. Here at work, perfectly in line with a record that sums up the career of a singer who has not decided to decline. Flora Purim is the giant link between the small, pretty things that can be sung and the great cosmic flights of fancy. Period. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.17.0″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] Flora Purim déboule dans les sillons en 1972. À 1’55 de Return To Forever, le morceau qui deviendra dans la foulée groupe mythique des années fusion-classe. Jusqu’à aujourd’hui et ce If You Will, Flora Purim n’a pas quitté les surfaces vinyles. Bien tendu elle a accompagné Chick Corea, Dizzy ou Gil Evans mais, surtout, elle s’est faite accompagnée de Ron Carter, Hermeto Pascoal et, of course, George Duke. Tout est contenu, d’emblée, dans les disques gravés pour le label Milestones. Et des milestones, Flora Purim en a laissé quelques-unes sur les pavés du jazz. Pour en citer un seul, prenons Open Your Eyes You Can Fly. Gratin fusionné en règle, les 2 Amériques s’y cajolent joliment, et le plaisir coule à petites goulées délicieuses. Sous les frottements savants d’Airto Moreira, entre les cordes d’Egbert Gismonti. De quoi resté alangui, jusqu’à la sortie de If You Will, successeur pas en reste de sensualité, faisant le point sur la fragilité de la musique et la force des amitiés. Airto Moreira, justement, toujours, encore. Ici à l’œuvre, parfaitement dans les clous d’un disque-somme, résumé d’une carrière de chanteuse pas décidée à décliner. Flora Purim s’affiche ici et depuis Sao Paulo
Jas 5ive, chronique
Polar Star, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.16″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.16.0″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] INITIATIVE H,Polar Star [/et_pb_text][et_pb_text _builder_version= »4.16.0″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 22 avril 2022 sur Neuklang [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.16″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.16″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.16″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.16″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/04/Polar-Star-de-InitiativeH.jpg » alt= »Polar Star de Initiative H » title_text= »Polar Star de Initiative H » _builder_version= »4.16.0″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_text content_tablet= » ENGLISH / FRANÇAIS 12/10/7. Twelve musicians, 10 years of existence, 7 albums. These are the statistics of Initiative H at the release of ‘Polar Star’. That can force the respect, let us rather say that it forges a listening. The one that pushes to have a blow of advance on the envy of David Haudrechy, leader minimo of the combo. Humble, the man is it squarely. What allows to be impatient at the announcement of a new disc. ‘Polar Star’, is up to this impatience. For a star, it is necessary, and this one throws some nice sparks in its wake. Polar Star sounds like an OST of the worries induced by the climatic changes, like a rereading of the great preachers of the forces of the Nature. Cousteau for example, even if the neo big band Initiative H is less rolled in the flour than the man in the red hat. Not a shadow of a natural swindle here. ‘Crystal Trap’ invites the cosmos in the abysses to the sound of a splendid fragility and quasi Debussy, ‘Dark Lightning’ poses at the beginning of the disc its title ends credits, vibrating under the litany of the choruses and the soprano. Necessarily reductive, these two examples are in the image of the rest of the disc which acts under the surface, far from the crest of the foam, in the density of the inevitable future decisions. » content_phone= » ENGLISH / FRANÇAIS 12/10/7. Twelve musicians, 10 years of existence, 7 albums. These are the statistics of Initiative H at the release of ‘Polar Star’. That can force the respect, let us rather say that it forges a listening. The one that pushes to have a blow of advance on the envy of David Haudrechy, leader minimo of the combo. Humble, the man is it squarely. What allows to be impatient at the announcement of a new disc. ‘Polar Star’, is up to this impatience. For a star, it is necessary, and this one throws some nice sparks in its wake. Polar Star sounds like an OST of the worries induced by the climatic changes, like a rereading of the great preachers of the forces of the Nature. Cousteau for example, even if the neo big band Initiative H is less rolled in the flour than the man in the red hat. Not a shadow of a natural swindle here. ‘Crystal Trap’ invites the cosmos in the abysses to the sound of a splendid fragility and quasi Debussy, ‘Dark Lightning’ poses at the beginning of the disc its title ends credits, vibrating under the litany of the choruses and the soprano. Necessarily reductive, these two examples are in the image of the rest of the disc which acts under the surface, far from the crest of the foam, in the density of the inevitable future decisions. » content_last_edited= »on|phone » _builder_version= »4.16.0″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »] ENGLISH 12/10/7. Twelve musicians, 10 years of existence, 7 albums. These are the statistics of Initiative H at the release of ‘Polar Star’. That can force the respect, let us rather say that it forges a listening. The one that pushes to have a blow of advance on the envy of David Haudrechy, leader minimo of the combo. Humble, the man is it squarely. What allows to be impatient at the announcement of a new disc. ‘Polar Star’, is up to this impatience. For a star, it is necessary, and this one throws some nice sparks in its wake. Polar Star sounds like an OST of the worries induced by the climatic changes, like a rereading of the great preachers of the forces of the Nature. Cousteau for example, even if the neo big band Initiative H is less rolled in the flour than the man in the red hat. Not a shadow of a natural swindle here. ‘Crystal Trap’ invites the cosmos in the abysses to the sound of a splendid fragility and quasi Debussy, ‘Dark Lightning’ poses at the beginning of the disc its title ends credits, vibrating under the litany of the choruses and the soprano. Necessarily reductive, these two examples are in the image of the rest of the disc which acts under the surface, far from the crest of the foam, in the density of the inevitable future decisions. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.16.0″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ global_colors_info= »{} »] 12/10/7. Douze musiciens, 10 années d’existences, 7 albums. C’est les stats d’Initiative H à la sortie de Polar Star. Ça peut forcer le respect, disons plutôt que ça forge une écoute. Celle qui pousse à avoir un coup d’avance sur l’envie de David Haudrechy, leader minimo du combo. Humble, l’homme l’est carrément. Ce qui permet d’être impatient à l’annonce d’un nouveau disque. Polar Star, est à la hauteur de cette impatience. Pour un étoile, c’est nécessaire, et celle-ci balance de jolies étincelles à sa traine. Polar Star sonne comme une OST des inquiétudes induites par les changements climatiques, comme une relecture des grands prédicateurs des forces de la Nature. Cousteau par exemple, même si le néo big band Initiative H se roule moins dans la farine que l’homme au bonnet rouge. Pas l’ombre d’une escroquerie au naturel ici. Crystal Trap invite le cosmos dans les abysses au son d’une fragilité splendide et quasi debussyenne, Dark Lightning pose au
Pursuit Of Ends, chronique
Melt My Eyez See Your Future, chronique
Fluid_e, chronique
[et_pb_section fb_built= »1″ _builder_version= »4.15″ background_color= »#27657f » min_height= »407.7px » custom_padding= »68px||0px||| » global_colors_info= »{} »][et_pb_row make_equal= »on » custom_padding_last_edited= »on|phone » _builder_version= »4.15″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »0px||||false|false » custom_margin_last_edited= »on|phone » custom_padding_tablet= » » custom_padding_phone= »0px||||false|false » animation_style= »fade » global_colors_info= »{} »][et_pb_column type= »4_4″ _builder_version= »4.15″ global_colors_info= »{} »][et_pb_text content_last_edited= »off|desktop » _builder_version= »4.15.1″ text_text_color= »#ffffff » text_font_size= »50px » text_line_height= »1em » custom_padding= »30px||30px||true|false » global_colors_info= »{} »] HYPERACTIVE LESLIE,Fluid_e [/et_pb_text][et_pb_text _builder_version= »4.15.1″ text_font= »Roboto|100||||||| » text_text_color= »#ffffff » text_font_size= »28px » text_line_height= »1.2em » custom_margin= »9px||||| » custom_padding= »||2px||| » global_colors_info= »{} »] sortie le 15 avril 2022 sur Airfono [/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.15″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.15″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.15″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.15″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.15″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/03/ARTWORK-EP-Hyperactive-Leslie-Fluide-4000×4000-©-Camille-Sauvage.jpg » alt= »Fluid_e de Hyperactive Leslie » title_text= »Fluid_e de Hyperactive Leslie » _builder_version= »4.15.1″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} »][/et_pb_image][et_pb_code _builder_version= »4.15.1″ _module_preset= »default » global_colors_info= »{} »]Fluid_e by Hyperactive Leslie[/et_pb_code][et_pb_text content_tablet= » ENGLISH / FRANÇAIS Cabin Cousin. In another album on this podium, Branko Mataja plugged his guitar into a Leslie booth. Here, with ‘Fluid_e’, Antonin Leymarie, powerful one-man-band, plugs in his drum set. To stand out? No doubt, but more surely to go into another territory than the sampling dear to electro-DJs and other producers who are fans of machines. Here, Leymarie extends the discoveries made within the Imperial or the Magnetic Ensemble. In short, to make abstraction concrete. Classy paradox! And the 4 tracks that came out of the booth are more than just sound tests. Without stumbling, the equations implemented exceed any fiction to go and find the holy trilogy of the drummer. Jazz, Africa and the science of rhythm. Beautiful homage to Fernand Schirren on the impatient and perfect ‘Rebond’. The rest is the same. Control of dynamics and complex and precise dramaturgy. These 4 titles, which call from the heart many others, link organic music to dancefloor. Leymarie, hyperactive certainly, is never dispersed but centered all entirely on the pure pleasure to chisel, to arrange its diabolic clocks. Thus fascinating. » content_phone= » ENGLISH / FRANÇAIS Cabin Cousin. In another album on this podium, Branko Mataja plugged his guitar into a Leslie booth. Here, with ‘Fluid_e’, Antonin Leymarie, powerful one-man-band, plugs in his drum set. To stand out? No doubt, but more surely to go into another territory than the sampling dear to electro-DJs and other producers who are fans of machines. Here, Leymarie extends the discoveries made within the Imperial or the Magnetic Ensemble. In short, to make abstraction concrete. Classy paradox! And the 4 tracks that came out of the booth are more than just sound tests. Without stumbling, the equations implemented exceed any fiction to go and find the holy trilogy of the drummer. Jazz, Africa and the science of rhythm. Beautiful homage to Fernand Schirren on the impatient and perfect ‘Rebond’. The rest is the same. Control of dynamics and complex and precise dramaturgy. These 4 titles, which call from the heart many others, link organic music to dancefloor. Leymarie, hyperactive certainly, is never dispersed but centered all entirely on the pure pleasure to chisel, to arrange its diabolic clocks. Thus fascinating. » content_last_edited= »on|phone » _builder_version= »4.15.1″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »] ENGLISH Cabin Cousin. In another album on this podium, Branko Mataja plugged his guitar into a Leslie booth. Here, with ‘Fluid_e’, Antonin Leymarie, powerful one-man-band, plugs in his drum set. To stand out? No doubt, but more surely to go into another territory than the sampling dear to electro-DJs and other producers who are fans of machines. Here, Leymarie extends the discoveries made within the Imperial or the Magnetic Ensemble. In short, to make abstraction concrete. Classy paradox! And the 4 tracks that came out of the booth are more than just sound tests. Without stumbling, the equations implemented exceed any fiction to go and find the holy trilogy of the drummer. Jazz, Africa and the science of rhythm. Beautiful homage to Fernand Schirren on the impatient and perfect ‘Rebond’. The rest is the same. Control of dynamics and complex and precise dramaturgy. These 4 titles, which call from the heart many others, link organic music to dancefloor. Leymarie, hyperactive certainly, is never dispersed but centered all entirely on the pure pleasure to chisel, to arrange its diabolic clocks. Thus fascinating. [/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.15″ global_colors_info= »{} »][et_pb_text _builder_version= »4.15.1″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″] Cousinage de cabine. Dans un autre album de ce podium, Branko Mataja branchait sa guitare à une cabine Leslie. Ici, avec Fluid_e, Antonin Leymarie, one-man-band en puissance, y branche son set de batterie. Pour se démarquer ? Sans doute mais plus sûrement pour aller tutoyer un autre territoire que le sampling cher aux electro-DJ et autres producteurs fans de machines. Ici, Leymarie prolonge les découvertes faites au sein de l’Impérial ou du Magnetic Ensemble. En gros, rendre l’abstraction concrète. Classe paradoxe ! Et les 4 tracks sorties de la cabine sont plus que des essayages sonores. Sans trébucher, les équations mises en œuvre dépassent toute fiction pour aller chercher la sainte trilogie du batteur. Le jazz, l’Afrique et la science du rythme. Bel hommage à Fernand Schirren sur un Rebond impatient et parfait. Le reste est à l’écho. Maitrise des dynamiques et dramaturgie complexe et précise. Ces 4 titres, qui en appellent du cœur bien d’autres, jouent les passerelles entre musique organique et dancefloor. Leymarie, hyperactif certes, n’est jamais dispersé mais centré tout entier sur le pur plaisir de ciseler, d’agencer ses horlogeries diaboliques. Donc fascinantes. [/et_pb_text][et_pb_text _builder_version= »4.15.1″ link_text_color= »#FF6600″ custom_margin= »5%||||false|false » custom_padding= »||||false|false » global_colors_info= »{} »] —Airfono : bandcamp [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]