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KAE TEMPEST,
The Line Is A Curve
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sortie le 08 avril 2022 sur Universal
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ENGLISH / FRANÇAIS
Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL.
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ENGLISH / FRANÇAIS
Magic the Daumenkino trio’s tiny lamp. This is the very German translation of ‘daumenkino’. You know these small lighting attractions for celebrations or family parties, where light and dark stir up the joys of the imagination. Naive, playful and with endless joy. Jazz for kids, the Daumenkino? Yes, definitely. But for these kids that we qualify as brats or lads because they escape the mastercodes and always have a blow of advance. And this trio is quite a bit ahead. Not on the music, nor on the time, certainly. Nothing revolutionary on this EP. Who would really be today? No, the advance of the 4 tracks of this disc is the one created in the hardcore of the music by the trio Bobo/Goichon/Ziemniak. Complete freedom for the trio, each one advances and the common one blooms. In short, classic recipe applied with a new wind. The economy of means is still tightened on the musical nerve. The sound space of the ex-Vocuhila Trio has gained in clarity, the effects of the sax digs even more its own phrasing and the interplay with its companions. WHK is a source of appeasement, of mystery when listening. The native obsessions of these 3 musicians gain in freedom, the lifting of the themes, familiar and always new, in power on the imagination. WH3, too, shows it devilishly. IRL.
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ENGLISH
The Line Is A Curve. The horizon is already clear for Kae Tempest. Calmer. More hypnotic. Nothing To Prove. Tempest is first and foremost a path with a thousand crossroads. Between spoken word, rap, collab and authentic poetry they transforms the ordinary of everyday life into a lyrical portrait. In the circle? Gian Chatten, Lianne La Havas, Confucius MC, Assia and Kevin Abstract who bring Kae’s lyrics to life. These Are The Days. Days when Les Fleurs du Mal and Albatross transport to the Elevation. Spleen and Ideal. Tempest goes beyond the limits and braves the frontiers of intimacy to the point of letting go. A liberation allowed in a junction of varieties. The intersection of the soul of No Prizes, the post-jazz of These Are The Days to the robotic techno terminus on More Pressure. The synthetic, dark production segment of Priority Boredom, radiating out into the more expansive, salvific musicality of Grace. A modern day waking wisdom accentuated by the power of words. Exponential.
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The Line Is A Curve. L’horizon est déjà bien tracé pour Kae Tempest. Plus calme. Plus hypnotique. Nothing To Prove. Tempest, c’est avant tout une trajectoire aux mille chemins de traverse. Entre spoken word, rap, collab et poésie authentique iel transforme l’ordinaire du quotidien en portrait lyrique. Dans le cercle ? Gian Chatten, Lianne La Havas, Confucius MC, Assia et Kevin Abstract qui viennent sublimer les paroles de Kae au grand jour. These Are The Days. Des jours où Les Fleurs du mal et l’Albatros transportent jusqu’à l’Elévation. Spleen et Idéal. Tempest dépasse les bornes et brave les frontières de l’intime jusqu’au lâcher prise. Une libération permise dans une jonction de variétés. L’intersection de la soul de No Prizes, au post-jazz de These Are The Days jusqu’au terminus de techno robotique sur More Pressure. Le segment d’une production synthétique et sombre de Priority Boredom, rayonnant vers une musicalité plus expansive et salvatrice de Grace. Une sagesse éveillée des temps modernes accentuée par la puissance des mots. Exponentielle.
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Kae Tempest : Site Web
Universal : Site Web
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