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GAUTHIER TOUX,
The Biggest Steps
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sortie le 17 mars 2022 chez Kyudo Records
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ENGLISH / FRANÇAIS
Yellower Vol.1. More color et more noise for Emma-Jean Thackray and her new EP featuring three live versions of her latest album, Yellow. It’s spiritual. Transporting. And as usual beautifully orchestrated with Lyle Barton, Matt Gedrych, Ben Kelly and Dougal Taylor. Orchestrated is the right word. First radiation on Say Something with its ascending spiral based on a pop structure and chunks of disco house. This mix of instrumental fusion and melodic chorus makes both body and mind palpitate. Did you say something? Well now Show us your mind. Open your mind and find your voice in a free register above all and resplendent. Without nuance for Emma-Jean? And this palette is not only composed of yellow. The landscape is bright and green, especially on Golden Green, with its hip-hop atmosphere and 70’s synths. This green and gold tinted world plunges directly into the cosmic depths of Our People and brings to the surface a unifying message: it is good to exist and to share. As naive and utopian as it may sound, this breath of hope is damn right useful. We are all our people.
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ENGLISH / FRANÇAIS
Yellower Vol.1. More color et more noise for Emma-Jean Thackray and her new EP featuring three live versions of her latest album, Yellow. It’s spiritual. Transporting. And as usual beautifully orchestrated with Lyle Barton, Matt Gedrych, Ben Kelly and Dougal Taylor. Orchestrated is the right word. First radiation on Say Something with its ascending spiral based on a pop structure and chunks of disco house. This mix of instrumental fusion and melodic chorus makes both body and mind palpitate. Did you say something? Well now Show us your mind. Open your mind and find your voice in a free register above all and resplendent. Without nuance for Emma-Jean? And this palette is not only composed of yellow. The landscape is bright and green, especially on Golden Green, with its hip-hop atmosphere and 70’s synths. This green and gold tinted world plunges directly into the cosmic depths of Our People and brings to the surface a unifying message: it is good to exist and to share. As naive and utopian as it may sound, this breath of hope is damn right useful. We are all our people.
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ENGLISH
Classic shit. Piano, drum’n’bass. Classic shit. Muscular left hand and finesse on the right one. Here is The Biggest Steps. Here is the Gauthier Toux trio. Ascensions and ancestry, reunited with a prodigious care. Classic. But vivid. Devilishly and divinely. You can see that on the glances of influences, one sees easily an E.S.T. floating on A Secret Place or on Twelve, or on the intimate confessions, pointillist introspection, always on Twelve. Here Precise intranquillity is master on board. In the final pounding of the eponymous track, full of an explosion of phases and colors. In the curves of Roads, where dust and poppy wiggles fly. And also, in the classy recovery of McCartney’s Jenny Wren, a deferential and friendly cover. Simon Tailleu debates there in incredible power of refining, and Maxence Sibille plays the sticks as others play the serp. Precision there too. And Gauthier Toux, point of a triangle, in the end squarely equilateral, advances with a musicality – rejoicing Turning Around – which should be able to sounds in clubs as in stadiums, as some kinda shoegazing jazz. This is open and curious. Ready to throw out secrets and pleasure. Classic shit.
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Classic shit. Piano, basse, batt’. Classic shit. Main gauche musculeuse et finesse à droite. Voilà The Biggest Steps. Voici le Gauthier Toux trio. Ascensions et ascendance, réunies dans un soin prodigieux. Classique. Mais revivifié. Diablement et divinement. Que ce soit sur les œillades d’influences, on aperçoit facile un E.S.T. flotter sur A Secret Place ou sur Twelve, ou que ce soit sur les confessions intimes, introspection pointilliste, toujours sur Twelve, l’intranquillité précise est maitresse à bord de ce disque. Dans les martèlements finaux du titre éponyme, plein d’une explosion de phases et de couleurs. Dans les sillons de Roads, où volent poussière et déhanchés poppy. Et aussi, dans la récup’ classe du Jenny Wren de McCartney, reprise déférente et amicale. Simon Tailleu, largement apprécié dans le Mélusine de Vincent Girard, y débat en puissance d’affinage incroyable, et Maxence Sibille joue des balais comme d’autres jouent de la serpe. Précision là aussi. Et Gauthier Toux, pointe d’un triangle, au final carrément équilatéral, avance avec une musicalité — ô joie de Turning Around — qui devrait pouvoir se frotter aux clubs comme aux stadiums. Ce trio invente une forme de jazz shoegaze. Un jazz ouvert et curieux. Prêt à balancer du son, des secrets et du plaisir. Classic shit.
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Gauthier Toux : Interview PointBreak
Kyudo Records :Bandcamp
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