SEAN KHAN, Supreme Love
A Journey through Coltrane
sorti le 19 novembre 2021 sur BBE
[/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2021/11/BBE618_Sean_Khan_Supreme_Love_cover.jpg » alt= »Sean Khan Supreme Love » title_text= »Sean Khan Supreme Love » _builder_version= »4.14.0″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » hover_enabled= »0″ border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} » sticky_enabled= »0″][/et_pb_image][et_pb_code _builder_version= »4.14.0″ _module_preset= »default » hover_enabled= »0″ sticky_enabled= »0″ custom_margin= »4em||||false|false »][/et_pb_code][et_pb_text content_tablet= »ENGLISH / FRANÇAIS
One down, One Up. Coltrane blew this title, in a Rollercoaster style, in a live performance at the Half Note discovered about fifteen years ago. It is almost at the same date that Sean Khan’s career started. The tenor sax player even said this recently on the occasion of the release of his Supreme Love: a Journey Through Coltrane: %22My journey has been perilous, and like most people in this field, I’ve had a career full of defeats and victories. 15 years of victories and defeats, dead ends and successes. It’s normal. Except when you have Trane as a milestone. And, as a corner stone, Big John is there. It’s not easy to measure your own quagmires against this kind of yardstick. So Khan takes the Olé bull by the horns. And here is Supreme Love. Ascending rereading of the Tranian heritage. Both Hard bop and spirit jazz periods. Don’t you have to get yer balls out to cover Afro Blue or Love Supreme. Just like that without warning the jazz world, and almost not the London scene where the former underground lad matured, then made the Broken Beat flourish with his SK Radicals. Las, the machines have long since got silent, and subist, alone, an unconditional love for the sax-genius author of Giant Steps. Steps made with humility on a disc which overflows some, of sweet humility. And of music too. Beautifully. On a gentle slope, up and down and up and down and up.
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ENGLISH / FRANÇAIS
One down, One Up. Coltrane blew this title, in a Rollercoaster style, in a live performance at the Half Note discovered about fifteen years ago. It is almost at the same date that Sean Khan’s career started. The tenor sax player even said this recently on the occasion of the release of his Supreme Love: a Journey Through Coltrane: %22My journey has been perilous, and like most people in this field, I’ve had a career full of defeats and victories. 15 years of victories and defeats, dead ends and successes. It’s normal. Except when you have Trane as a milestone. And, as a corner stone, Big John is there. It’s not easy to measure your own quagmires against this kind of yardstick. So Khan takes the Olé bull by the horns. And here is Supreme Love. Ascending rereading of the Tranian heritage. Both Hard bop and spirit jazz periods. Don’t you have to get yer balls out to cover Afro Blue or Love Supreme. Just like that without warning the jazz world, and almost not the London scene where the former underground lad matured, then made the Broken Beat flourish with his SK Radicals. Las, the machines have long since got silent, and subist, alone, an unconditional love for the sax-genius author of Giant Steps. Steps made with humility on a disc which overflows some, of sweet humility. And of music too. Beautifully. On a gentle slope, up and down and up and down and up.
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ENGLISH
One down, One Up. Coltrane blew this title, in a Rollercoaster style, in a live performance at the Half Note discovered about fifteen years ago. It is almost at the same date that Sean Khan’s career started. The tenor sax player even said this recently on the occasion of the release of his Supreme Love: a Journey Through Coltrane: « My journey has been perilous, and like most people in this field, I’ve had a career full of defeats and victories. 15 years of victories and defeats, dead ends and successes. It’s normal. Except when you have Trane as a milestone. And, as a corner stone, Big John is there. It’s not easy to measure your own quagmires against this kind of yardstick. So Khan takes the Olé bull by the horns. And here is Supreme Love. Ascending rereading of the Tranian heritage. Both Hard bop and spirit jazz periods. Don’t you have to get yer balls out to cover Afro Blue or Love Supreme. Just like that without warning the jazz world, and almost not the London scene where the former underground lad matured, then made the Broken Beat flourish with his SK Radicals. Las, the machines have long since got silent, and subist, alone, an unconditional love for the sax-genius author of Giant Steps. Steps made with humility on a disc which overflows some, of sweet humility. And of music too. Beautifully. On a gentle slope, up and down and up and down and up.
[/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_text _builder_version= »4.14.0″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″]One down, One Up. Coltrane soufflait ce titre, façon Grand Huit, dans un live au Half Note découvert il y a une quinzaine d’années. C’est quasi à la même date que débutait la carrière de Sean Khan. Le sax ténor livrait ceci en marge de la sortie récente de son Supreme Love : a Journey Through Coltrane : « Mon parcours a été périlleux, et comme la plupart des gens dans ce domaine, j’ai eu une carrière pleine de défaites et de victoires ». 15 ans de victoires et de défaites, d’impasses et de réussites. Normal, quoi. Sauf quand on a justement Trane en milestone. Et, comme pierre d’angle, Big John se pose là. Pas simple de jauger ses propres bourbiers à ce genre de mètre étalon. Alors Khan prend le taureau d’Olé par les cornes. Et bim, c’est Supreme Love. Relecture ascensionnelle du patrimoine tranien. Période Hard bop et spirit jazz confondues. C’est couillu, sérieux, de reprendre Afro Blue ou Love Supreme. Comme ça sans prévenir le monde du jazz, et presque pas la scène de Londres où l’ancien mastard underground a mûri, puis fait fleurir le Broken Beat avec ses SK Radicals. Las, les machines se sont tues depuis longtemps, et subiste, seul, un amour inconditionnel pour l’auteur saxé-genius de Giant Steps. Des pas faits avec humilité sur un disque qui en déborde, d’humilité sweet. Et de musique aussi. Belle. En pente douce, up and down and up.
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Sean Khan : bio Far Out
BBE Records : Site Internet