KENDRICK LAMAR,
Mr. Morale & The Big Steppers
sorti le 13 mai 2022 chez Interscope Records
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« I choose me ». First sentence of ‘Mirror’. Kendrick Lamar waits for the outro to reveal the subject of ‘Mr. Morale & The Big Steppers’, introspection. 5 years after ‘DAMN.’, the good kid has grown up. His voice has softened but not his lyrics. Quite the opposite, he dives with ferociousness into the turbulent abyss of society. Which one ? Racism, homophobia, transphobia, misogyny and social inequalities. The whole thing by sinking in the depths of its soul. Caus’ it’s inside his DNA. Despite the pandemic, Lamar takes off his mask ‘N95’ and pulls out his dangerous power. Prime the bomb of ‘We Cry Together’ with Taylour Paige. A love quarrel fixes on the instru made by The Alchemist. Between insults and denunciation, this argument shows a toxic relationship. Both break up with violence to make up with heat at the end. Deconstructive and thrilling. The Compton rapper steps into the dangerous precipice of ‘Mother I Sober’. Supported by Berth Gibbons of Portishead, Kendrick Lamar confesses. His childhood, his traumas, his walk of life. Harrowing and revolting, his words sink into all the wide open wounds of his life story. The whole thing by escaping from the depths of its soul. He tortures consciences. Abuses them. Wakes them up. And in the right way. «Tell ‘em, tell them the truth».
» content_phone= »ENGLISH / FRANÇAIS
« I choose me ». First sentence of ‘Mirror’. Kendrick Lamar waits for the outro to reveal the subject of ‘Mr. Morale & The Big Steppers’, introspection. 5 years after ‘DAMN.’, the good kid has grown up. His voice has softened but not his lyrics. Quite the opposite, he dives with ferociousness into the turbulent abyss of society. Which one ? Racism, homophobia, transphobia, misogyny and social inequalities. The whole thing by sinking in the depths of its soul. Caus’ it’s inside his DNA. Despite the pandemic, Lamar takes off his mask ‘N95’ and pulls out his dangerous power. Prime the bomb of ‘We Cry Together’ with Taylour Paige. A love quarrel fixes on the instru made by The Alchemist. Between insults and denunciation, this argument shows a toxic relationship. Both break up with violence to make up with heat at the end. Deconstructive and thrilling. The Compton rapper steps into the dangerous precipice of ‘Mother I Sober’. Supported by Berth Gibbons of Portishead, Kendrick Lamar confesses. His childhood, his traumas, his walk of life. Harrowing and revolting, his words sink into all the wide open wounds of his life story. The whole thing by escaping from the depths of its soul. He tortures consciences. Abuses them. Wakes them up. And in the right way. «Tell ‘em, tell them the truth».
» content_last_edited= »on|phone » _builder_version= »4.17.4″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » global_colors_info= »{} »]ENGLISH
« I choose me ». First sentence of ‘Mirror’. Kendrick Lamar waits for the outro to reveal the subject of ‘Mr. Morale & The Big Steppers’, introspection. 5 years after ‘DAMN.’, the good kid has grown up. His voice has softened but not his lyrics. Quite the opposite, he dives with ferociousness into the turbulent abyss of society. Which one ? Racism, homophobia, transphobia, misogyny and social inequalities. The whole thing by sinking in the depths of its soul. Caus’ it’s inside his DNA. Despite the pandemic, Lamar takes off his mask ‘N95’ and pulls out his dangerous power. Prime the bomb of ‘We Cry Together’ with Taylour Paige. A love quarrel fixes on the instru made by The Alchemist. Between insults and denunciation, this argument shows a toxic relationship. Both break up with violence to make up with heat at the end. Deconstructive and thrilling. The Compton rapper steps into the dangerous precipice of ‘Mother I Sober’. Supported by Berth Gibbons of Portishead, Kendrick Lamar confesses. His childhood, his traumas, his walk of life. Harrowing and revolting, his words sink into all the wide open wounds of his life story. The whole thing by escaping from the depths of its soul. He tortures consciences. Abuses them. Wakes them up. And in the right way. «Tell ‘em, tell them the truth».
[/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.16″ global_colors_info= »{} »][et_pb_text _builder_version= »4.17.4″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″]« I choose me ». Première phrase de Mirror. Kendrick Lamar attend l’outro pour révéler le thème de Mr. Morale & The Big Steppers, l’introspection. 5 ans après DAMN., le good kid a mûrit. Sa voix s’est adoucie mais pas ses lyrics. Au contraire, il plonge avec férocité dans les abysses troublées de la société. Lesquelles ? Le racisme, l’homophobie, la transphobie, la misogynie et les inégalités sociales. Le tout en sombrant dans les profondeurs de son être. Caus’ it’s inside his DNA. Malgré la pandémie, Lamar retire son masque N95 et dégaine sa puissance redoutable. Amorce la bombe de We Cry Together avec Taylour Paige. Querelle amoureuse posée sur l’instru calée par The Alchemist. Entre insultes et dénonciation, cette dispute exhibe une relation toxique. Les deux break up avec violence pour make up avec chaleur à la fin. Déconstructif et palpitant. Le rappeur de Compton s’engouffre dans le précipice dangereux de Mother I Sober. Epaulé par Beth Gibbons de Portishead, Kendrick Lamar se confesse. Son enfance, ses traumas et sa condition. Poignants et révoltants, ses mots s’enfoncent dans toutes les plaies béantes de son histoire. Tout en s’échappant des profondeurs de son être. Il torture les consciences de toustes. Les malmène. Les réveille. Et bien comme il faut. «Tell ‘em, tell them the truth ».
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