Henryk Debich,
Dyskusja / Busz
sortie le 4 février 2022 chez Astigmatic Records
[/et_pb_text][et_pb_divider color= »#ff7ad2″ divider_style= »dotted » divider_position= »center » _builder_version= »4.0.6″ custom_margin= »0px||13px||false|false » custom_padding= »0px||0px||true|true » global_colors_info= »{} »][/et_pb_divider][et_pb_post_title title= »off » date_format= »j M Y » comments= »off » featured_image= »off » _builder_version= »4.9.4″ _module_preset= »default » meta_font= »Roboto|100||||||| » meta_text_color= »#FFFFFF » global_colors_info= »{} »][/et_pb_post_title][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section fb_built= »1″ custom_padding_last_edited= »on|phone » _builder_version= »4.9.4″ background_color= »#FFFFFF » custom_margin= »||||false|false » custom_margin_tablet= » » custom_margin_phone= »||0px||false|false » custom_margin_last_edited= »on|phone » custom_padding= »||||false|false » custom_padding_tablet= » » custom_padding_phone= »||0px||false|false » global_colors_info= »{} »][et_pb_row column_structure= »3_5,2_5″ _builder_version= »4.9.4″ width= »60% » width_tablet= »90% » width_phone= »90% » width_last_edited= »on|phone » custom_padding= »||2px||| » global_colors_info= »{} »][et_pb_column type= »3_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_image src= »https://pointbreak.fr/wp-content/uploads/2022/02/Debich.jpg » alt= »Dyskusja de Henryk Debich » title_text= »Dyskusja de Henryk Debich » _builder_version= »4.14.7″ _module_preset= »default » custom_margin= »||||false|false » animation_style= »fade » animation_direction= »left » animation_duration= »1450ms » hover_enabled= »0″ border_color_all= »rgba(0,0,0,0.08) » box_shadow_style= »preset3″ box_shadow_vertical= »9px » global_colors_info= »{} » sticky_enabled= »0″][/et_pb_image][et_pb_code _builder_version= »4.14.7″ _module_preset= »default » custom_margin= »4em||||false|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″][/et_pb_code][et_pb_text content_tablet= »ENGLISH / FRANÇAIS
100 years x 3. There are more than enough years in these three 7 inches released by Astigmatic Records. 100 years is the age Henryk Debich would have been this year. Polish genius and brilliant orchestra conductor, precise as a Swiss cuckoo clock. Polish rather, this cuckoo clock. And with communist jazz-funk in the feathers. It is perfect, cultural oxymoron at the top. In the midst of the seventies, the Polish Radio and TV Orchestra posed in Łódź sails like one between funk and disco. We flirt with Library music, we coo with jazz. And it ends up in the bed of the hottest groove. Compressor-pulsed percussion, enormous horns and string sections slamming like a whip on a pair of butts filmed by Russ Meyer. In this third 45 t where the two tracks ‘Dyskusja’ and ‘Busz’ are frolicking, it is the synthesizer that completes Debich’s equipment. Recorded in 1977, these two sides follow the first four released before on the same label, as intranquil as the Polish-Belarusian border. But much more joyful, much more hedonistic. These 100 years could last another 10.000 years.
» content_phone= »ENGLISH / FRANÇAIS
100 years x 3. There are more than enough years in these three 7 inches released by Astigmatic Records. 100 years is the age Henryk Debich would have been this year. Polish genius and brilliant orchestra conductor, precise as a Swiss cuckoo clock. Polish rather, this cuckoo clock. And with communist jazz-funk in the feathers. It is perfect, cultural oxymoron at the top. In the midst of the seventies, the Polish Radio and TV Orchestra posed in Łódź sails like one between funk and disco. We flirt with Library music, we coo with jazz. And it ends up in the bed of the hottest groove. Compressor-pulsed percussion, enormous horns and string sections slamming like a whip on a pair of butts filmed by Russ Meyer. In this third 45 t where the two tracks ‘Dyskusja’ and ‘Busz’ are frolicking, it is the synthesizer that completes Debich’s equipment. Recorded in 1977, these two sides follow the first four released before on the same label, as intranquil as the Polish-Belarusian border. But much more joyful, much more hedonistic. These 100 years could last another 10.000 years.
» content_last_edited= »on|phone » _builder_version= »4.14.7″ _module_preset= »default » text_text_color= »#000000″ text_font_size= »16px » custom_margin= »5%||||false|false » hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″]ENGLISH
100 years x 3. There are more than enough years in these three 7 inches released by Astigmatic Records. 100 years is the age Henryk Debich would have been this year. Polish genius and brilliant orchestra conductor, precise as a Swiss cuckoo clock. Polish rather, this cuckoo clock. And with communist jazz-funk in the feathers. It is perfect, cultural oxymoron at the top. In the midst of the seventies, the Polish Radio and TV Orchestra posed in Łódź sails like one between funk and disco. We flirt with Library music, we coo with jazz. And it ends up in the bed of the hottest groove. Compressor-pulsed percussion, enormous horns and string sections slamming like a whip on a pair of butts filmed by Russ Meyer. In this third 45 t where the two tracks ‘Dyskusja’ and ‘Busz’ are frolicking, it is the synthesizer that completes Debich’s equipment. Recorded in 1977, these two sides follow the first four released before on the same label, as intranquil as the Polish-Belarusian border. But much more joyful, much more hedonistic. These 100 years could last another 10.000 years.
[/et_pb_text][/et_pb_column][et_pb_column type= »2_5″ _builder_version= »4.0.4″ global_colors_info= »{} »][et_pb_text _builder_version= »4.14.7″ _module_preset= »default » text_text_color= »#000000″ link_font= »Roboto|||||||| » link_text_color= »#ff6600″ hover_enabled= »0″ global_colors_info= »{} » sticky_enabled= »0″]100 ans x 3. Il y en a largement pour autant d’années dans ces 3 sept-pouces ressortis par Astigmatic Records. 100 ans c’est l’âge qu’aurait eu Henryk Debich. Génie polonais et génial conducteur d’orchestre précis comme un coucou suisse. Polonais plutôt, le coucou. Et avec du jazz-funk communiste dans le plumage. C’est parfait, oxymore culturelle au sommet. En pleine seventies, l’Orchestre de la radio et de la télé polonaise posé à Łódź navigue comme un seul homme entre la funk et le disco. On flirte avec la Library music, on roucoule avec le jazz. Et ça finit dans le lit du groove le plus chaud. Percus pulsées au compresseur, cuivres énormissimes et sections de cordes cinglant comme un fouet sur une paire de fesses filmée par Russ Meyer. Dans ce troisième 45 t où s’ébattent les deux tracks Dyskusja et Busz, c’est le synthétiseur qui complète l’attirail de Debich. Enregistrées en 1977, ces deux faces font suite aux quatre premières sortie auparavant sur le même label, aussi intranquille que la frontière polaco-belarusse. Mais en beaucoup plus joyeux, en beaucoup plus hédoniste. Ces 100 ans pourraient durer encore 10.000 ans.
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